Everest At Any Cost(1999)

Everest Unmasked(en)

Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.

Unconquerable Summit(ru)

This documentary tells via the testimonies of people who knew him (like Simone Moro, his companion during his last ascent), the life, the mountaineering exploits and the very tolerant character of Anatoli Boukreev. This famous mountaineer has made more than twenty-one ascents on mountains of 8,000 m altitude, without using supplemental oxygen, and has reached the summit of Everest four times. In 1996 he saved the lives of many climbers in a group led by Scott Fischer during their attempt on Everest. The documentary is based on footage shot during his tragic last ascent of Annapurna in Nepal in 1997.

La Congenialità(it)

Nives Meroi and Romano Benet 14+1(it)

Verso L'Ignoto(it)

The Holy Mountain(it)

Grand Libre au Grand Cap(fr)

Reel Rock 11(en)

REEL ROCK cranks it up to 11 with our latest collection of electrifying climbing films showcasing the sport's biggest stories and athletes. Featuring Ashima Shiraishi, Will Stanhope, Matt Segal, Brette Harrington, Kai Lightner, Mike Libecki and the Wild Bunch.

Höhenrausch – Die Entwicklung der Höhenmedizin(de)

How do you brave acute mountain sickness? We talk to researchers, doctors and mountaineers about a syndrome whose mechanisms are still poorly understood.

Brave New Wild(en)

BRAVE NEW WILD is an offbeat chronicle of America’s Golden Age of rock climbing before and after the controversial ascent of the Dawn Wall in 1970. Some forty years later, Oakley Anderson-Moore, the daughter of a pioneering climber, stumbles upon her father's old hi8 tapes, and sets out to answer the question: why climb when there's nothing to gain -- and everything to lose? Wry humor and an eclectic original soundtrack punctuate the delinquent antics of the Vulgarians in the ‘Gunks, the larger-than-life rivalry of Yosemite’s rock gods, and the fruit tramping, freight train hopping hobodom of her dad’s climbing life. This film is quintessential viewing for those who long for adventure.

Sherpas - Die wahren Helden am Everest(de)

National Geographic - Everest, Una Sfida Lunga 50 Anni(it)

In 1953, Sir Edmund Hillary & Tenzing Norgay made history as the first people to reach the top of Everest. Now, 50 years later, three sons of Everest's most celebrated climbers return to the mountain to challenge it again. Join their journey as they brave the elements and face death to climb 29,000 feet of wind-blasted rock and ice. And, relive the dramatic history of Everest from great triumphs to deadly tragedies, enduring rivalries and the unsung role of the Sherpa people—as National Geographic exposes the untold stories that lurk in the mountain's epic shadow and takes you on the ultimate Everest experience.

Earth(en)

An epic story of adventure, starring some of the most magnificent and courageous creatures alive, awaits you in EARTH. Disneynature brings you a remarkable story of three animal families on a journey across our planet – polar bears, elephants and humpback whales.

La Piste Frison-Roche(fr)

Roger Frison-Roche born in Paris in 1906 and moved to Chamonix at the age of 17. He was quickly adopted by local mountaineers and became the first guide in the Company not to have been born in the valley. He is also an insatiable explorer, in love with landscapes and peoples, having traveled from the Hoggar to the Sami camps in Lapland. And the author, among others, of the famous adventure novel Premier de Cordée! This documentary, made up of archive images and interviews, exposes the prolific life of a man who communicated his passion for the mountains by all possible means. A young journalist from Chamonix follows in the footsteps of Roger Frison-Roche. She meets people who knew him and others who followed in his footsteps: guides, filmmaker and author Philippe Claudel, a director, his family; on a trip to Lapland, Algeria, Chamonix.

Yarsagumbu, l'or de l'Himalaya(fr)

Every spring, tens of thousands of men, women and children leave their villages for a dangerous trek to the high Himalaya to collect Yarsagumbu, a mysterious transmutation between plant and insect. Used in Chinese medicine, it is worth up to 60 000 USD a kilo, more than gold.

Lyon Premier 8000, Au Gasherbrum II - 8035m(fr)

The "Lyon Premier 8000-Gasherbrum II 8035m" expedition, organized and led by Jean-Pierre Frésafond in 1975, was sponsored by the Lyon section of the Club Alpin Français and by Louis Pradel, Mayor of Lyon. The film traces the departure from Lyon of Berliet heavy trucks loaded with equipment, daily life in Pakistan, preparation for the expedition and the approach march with the porters, daily life at the base camp and in the camps. altitude of the members of the expedition: L. Audoubert, Marc Batard, F. Bourbousson, A. Chariglione, J. Dupraz, J.J. Forrat, H. and JP. Frésafond, B. Macho, Doctor A. Raymond, Y. Seigneur, J. Soubis, F. Valençot, B. Villaret de Chauvignypuis. Finally On June 18, 1975, Yannick Seigneur and Marc Batard reached the summit by opening a route along the south ridge. Bernard Villaret de Chauvignypuis, who was killed during the second assault, was the first victim of the Gasherbrum.

L'Ascension Des Aiguilles Ravanel Et Mummery(fr)

"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.

Mountain Queen: The Summits of Lhakpa Sherpa(en)

A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.

K2 Lo Spigolo Nord(it)

The documentary gives a detailed description of the conquest of K2 climbing from the north edge on the Chinese side of the mountain. The climb - that proceede well for the first days without too much difficulty even because the weather was good - was extremely hard and took over 30 days in July and August.

A l'Assaut Des Aiguilles Du Diable(fr)

Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.