"Sheepskin" by Clifford feat. Mei Semones (Official Music Video) © familyvideostore 2022
The "KODA KUMI 19TH→20TH ANNIVERSARY EVENT" show from December 6, 2019 (nineteen years since TAKE BACK released) at Zepp Diver City Tokyo.
God sends his best angel to Earth to carry out a delicate mission.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
Bruce is a young man who finds himself struggling with commitment issues. Although he thinks life is going smoothly, he starts to become friends with a man who wears a wolf mask. Slowly and surely Bruce sees this masked man everywhere he goes and starts to wonder if he is imaginary or if he himself is actually the masked man.
The Complete Jam serves up a staggering 49 performances, divided between 16 promotional videos (previously available on the |Video Snap VHS collection), a seven-song excerpt from a 1980 live show, and a staggering 26 more drawn from the best of the band's television performances, ranging from their U.K. debut on Marc Bolan's fondly remembered Marc through to their nine-song farewell performance on The Tube. A couple of entertaining interviews, a photo gallery, and a short (and, sadly, very poorly narrated) documentary on the band's history complete the portrait.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
Scenes from the Big Chair is a documentary film about the British pop band Tears For Fears. Released on home video in 1985, the 75 minute documentary was made at the height of the band's global success following the release of their multi-platinum selling album Songs from the Big Chair. It also contains the 90 minute "Going To California" concert which was recorded in Santa Barbara during the band's "Seeds Of Love" world tour in 1990.
A Viking village is living peacefully until they are attacked amid st an Old Norse marriage ceremony celebrating the main characters Vyktorya and Loke. There seems to be only one survivor.
A virtual concert hosted by AJR. This show features songs from AJR’s albums The Click, Neotheater, and OK ORCHESTRA.
On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.
A friendless loner takes a walk in a deserted park where he enjoys solitude.
BANANARAMA The Historical Collection - Remastered in Widescreen AI. 42 singles
"BABYMETAL - Live Legend D" was a monumental concert event that took place on February 1, 2012, at Akasaka BLITZ in Tokyo. The show, dedicated to Su-metal's 15th birthday, was part of the "Live Legend" series and marked a significant milestone in BABYMETAL's early career. Featuring an intense setlist that included early hits like "Doki Doki ☆ Morning" and "Ijime, Dame, Zettai," the performance was characterized by Su-metal's commanding vocals, the synchronized choreography of Moametal and Yuimetal, and the thunderous backing of the Kami Band. The concert's theatrical elements, such as elaborate costumes and dramatic staging, enhanced the mythical atmosphere of the event. "Live Legend D" remains a key moment in BABYMETAL's history, showcasing their rapid rise and the beginnings of their global impact.
"BABYMETAL - Live Legend Z" is a landmark concert that showcases the band at their most dynamic and theatrical. Held at the Makuhari Messe in Japan, this live performance is part of the "Legend" series, known for its grand production and intense energy. Su-metal, Moametal, and Yuimetal delivered a captivating set filled with fan-favorite tracks like "Ijime, Dame, Zettai" and "Akatsuki," accompanied by dramatic stage effects and intricate choreography. The concert is notable for its narrative elements, blending the band's signature Kawaii Metal with a mythic storyline that enhances the overall experience. "Live Legend Z" stands out as a key moment in BABYMETAL's rise, cementing their reputation for delivering unforgettable live performances.
BABYMETAL - Live Legend I is an electrifying live performance that showcases the unique fusion of J-pop idol culture with powerful heavy metal music. This concert captures the energy, theatricality, and musical prowess of BABYMETAL, featuring their signature blend of intense choreography, soaring vocals, and headbanging instrumentals. Fans are treated to a mesmerizing spectacle of lights, pyrotechnics, and infectious metal anthems, cementing BABYMETAL's reputation as pioneers of the "kawaii metal" genre and a global phenomenon in modern music.