Jake Rademacher reconnects with his brothers and soldiers he embedded with in Iraq. He creates a unique “then and now” journey into the toll of war and a never before seen look at war fighters and the veterans they become.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
An Indonesian student in London attempts to deal with the absurdity of confinement and immobility due to then-ongoing coronavirus lockdown by talking to his parents – who also face similar movement restrictions in Jakarta – over the phone.
Two Navy fighter pilots find themselves in the midst of a forbidden relationship throwing their lives and careers into disarray.
In 1944, Master Sergeant Robert Steven Savage was betrayed by one of his fellow soldiers, Krieger, a double-agent for the Axis Powers. He had Savage's entire squad killed and used him for various genetic experiments. Savage was then cryogenically frozen and sealed inside a secret bunker. 50 years later, G.I. Joe discovered the hidden bunker, Savage now has super-human strength, speed and agility and is in charge of the Screaming Eagles. Krieger is alive and known as General Blitz, leader of the terrorist organization the IRON Army. Sgt. Savage and his Screaming Eagles must stop him!
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.
A portrait that follows Nan, my uncle and the last two years he and his parents live together. In long, tightly framed shots, a picture emerges of three intimately interwoven lives: the gentle and touching bickering between Nan and his mother, the evenings in front of the television when time seems to stand still, and the minutes ticking by as Grandpa silently peels an apple. In the film, disability is not only seen as symptoms on individual bodies, but as social, physical, and temporal relationships. It is a meditation on time, disabilities, and the economies of care in contemporary China.
Saucedo explores the emotional journey of boxing champion Alex Saucedo who suffers a career ending brain injury, forcing him to redefine his identity, find new purpose and take care of his family. This cinema verité feature documentary is a raw and intimate portrait of resilience and redemption.
Nearly a decade in the making, The House We Lived In is a strikingly candid portrait of a family transformed by a father’s brain injury. In 2011, 61-year-old Tod O’Donnell awoke from a coma with a case of total amnesia that doctors assured his wife and children was temporary. But when it proved permanent, and for no discernible reason, the O’Donnell’s were left to themselves to untangle the mystery — a struggle for answers that would only raise more questions as they came to realize, painfully, that the real mystery was Tod himself.
One of the key works in creating the American social documentary film, this 1934 newsreel compilation crams a lot of information into just 11 minutes. Skillfully edited, the picture captures a panorama of international events centered on the labor movement. Scenes include Mussolini, Hitler and FDR preparing for war, Nazi soldiers persecuting German Jews, a political strike in Paris, the Scottsboro demonstration in Washington, DC, police violence against striking steelworkers in Pennsylvania and union members stopping scab workers from delivering milk during a dairy farmers strike in Wisconsin. Under the direction of pioneering documentarian Leo Hurwitz, the images are edited together to create a powerful image of a world that, in his view, desperately needed radical change.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.