

As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.
Hamed
FaFa
Farbod
Raman

As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.
2025-01-31
6
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5.0Examining the underlying tensions between mateship and masculinity in Australian sport in a portrayal of athletes rife with foul language, stigma, secrets, violence and nudity.
7.0A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
1.0On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
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