أصل وصورة(1963)

Light of Day(en)

A parable on the life of two students, who used to spend their days sitting together in class. Now adults, one of them faces a rather bleak future.

The Pleasure Garden(en)

Patsy Brand is a chorus girl at the Pleasure Garden music hall. She meets Jill Cheyne who is down on her luck and gets her a job as a dancer. Jill meets adventurer Hugh Fielding and they get engaged, but when Hugh travels out of the country, she begins to play around.

Lá em cima do piano(pt)

Sad Melody(ar)

Professor Mahmoud loves the dancer Samia, who discovered her talent even with the age difference between them, but she treats him as a friend. When singer Adel comes to work with them, Samia is attracted to him, which causes Mahmoud's jealousy, and makes him sign with another casino.

Love and suffering(ar)

Wahid Safwat is a playwright known for his many female relationships. Wahid meets the rising singer Laila and flirts with her, but she rejects him, so he decides to ensnare her and hides his true identity from her, that he is a famous novelist. The events unfold in a framework of comedic situations.

Ashab El Saadah(ar)

A wealthy man with a circle of friends falls seriously ill. The son quickly arrives with his fiancée, who discovers that he left her in a hotel and went to see his father alone. His father scolds him when he learns that he completed his engagement without seeing his fiancée and insists on seeing her. The son returns to the hotel and does not find his fiancée, so he agrees with a girl to play the role of his fiancée.

Love never dies(ar)

Raqia loves her neighbor Fouad and they promise to get married, but unfortunately for the girl, her father and mother divorce. Her uncle comes to live with her and she finds his fanaticism very difficult, which forces her to leave the house and seek refuge with her father. She finds him tolerant, but her stepmother causes trouble between her and Fouad and attracts him to her. Raqia gets the chance to take revenge and exposes her frivolous stepmother.

Necropolis(hu)

30 Days in Prison(ar)

Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).

Liqimat Aleaysh(ar)

Fathi and Mohsen are unemployed friends. Mohsen falls in love with Dr. Samia, who offers him a job at her father's farm, but the only condition for the job is that the employee have to be married. Fathi dresses up as a woman and goes with Mohsen to the farm as his wife

My Friend the Polish Girl(en)

A fiction-film told through a female documentarian's lens, as she manipulates the story of an unemployed Polish actress living in London.

Wife from the Street(ar)

The story revolves around the singer (Dalal) who works in a cabaret. Many men fall in love with her, but she prefers the wealthy (Mustafa). She marries him and moves to live with him on his estate. (Mustafa's) mother, who wanted her son to marry his cousin, is shocked. When she is injured in an accident, a doctor comes to treat her and meets Dalal, as he was one of her former clients. The doctor proposes to (Mustafa's) cousin, and (Dalal) refuses this marriage, which will reveal her past. She decides to kill the doctor to preserve her past from her husband's family.

Numero 69(it)

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?

The Time of Miracles(ar)

A woman aspires to get rich and surrenders to a wealthy old man who will marry her. The wife has a daughter from another man who denies her paternity, and the old man has a son and a daughter from a former wife. The old man indulges in gambling and leaves the rope to his wife in the west. She meets a young man who covets her husband’s wealth, so he blackmails him and plans to get rid of the husband to be inherited by his wife. To implement the plan, she must pretend to love the old man until he shocks the father.

Swoon(en)

Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.

Tears in Kuala Lumpur(ms)

Inspired by the iconic Malaysian singer and actor P. Ramlee, Ridhwan Saidi’s contemplative paean to Kuala Lumpur surveys a relationship that has ended through ruminative recollections that exist somewhere between a memory and a dream, while the city remains in a constant state of architectural and cultural change.

The Black Sheep(de)

Father Brown starts solving crimes, much to the annoyance of his housekeeper, the police and especially his bishop, who is not amused by a priest playing detective.

Pull My Daisy(en)

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

The Great Story of Jang-hwa and Hong-ryeon(ko)

Bae's two daughters, Jang-hwa and Hong-ryeon, are abused to death by their stepmother. But Jang-hwa cannot just go away to the other world. She becomes a ghost, haunting the governor every night to help her take her revenge. The governor orders an investigation. Jang-hwa's stepmother finally confesses what she did and the governor punishes her.

A Damsel in Distress(en)

Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on 'Mr. X'. After Alyce goes to London to meet a beau she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to 'protect his investment'.