The Land(NaN)

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Leila and the Cigarette(ar)

In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.

This Is Not Fairuz(en)

A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.

Recovery(ar)

Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?

The Lady of the Palace(ar)

Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.

Extinction Rebellion, amour & rage(fr)

Objects of War(fr)

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

Le jour est la nuit(ar)

Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?

Maintenant(ar)

Yes, you have to scream louder.

Stove(ar)

An intimate exploration of life in Bzebdine, a small rural village in Mount Lebanon.

Boats & Brides(de)

Two realities of life in Lebanon that couldn't be further apart: How a desperate man tries to escape across the Mediterranean because he can no longer cope with poverty and lack of opportunities and, on the other hand, how a successful wedding planner makes the dreams of the rich and beautiful come true.

Kaab l Dayaa(ar)

Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.

Hezbollah: The Chronicle of a Return(ar)

Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.

Lebanon in a Whirlwind(fr)

A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.

Líban, retrat de l'empoderament(ca)

Après Demain(fr)

Two years after the phenomenal success of the documentary Demain, Cyril Dion looks back at the projects the film inspired. He is accompanied by Laure Noualhat, a renowned investigator and sceptic of the ability of micro-initiatives to have any real impact in the face of climate change. Their humorous confrontation pushes them to their limits: what works, what fails? What if all this forces us to invent a new narrative for humanity?

We Never Left(en)

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

In the Land That Is Like You(fr)

In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.

Kamal Joumblatt, Witness and Martyr(fr)

Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.

Hydrogen - Revolution or Illusion?(en)

Steel giant Thyssen Krupp in Germany and cargo ship operator Maersk in Denmark are investing huge sums of money with public support to convert their huge and dirty energy consumption to ‘green’. Hydrogen plays a central role in this. At the same time, countries in Africa such as Morocco and Namibia are gearing up to become giga-suppliers of the new energy source. But does it all make sense? Why not just produce green steel in Africa? And what's the story behind the blue hydrogen that is supposed to come from Norway via pipeline? The film follows pioneers on breathtaking projects and shows that the energy transition is more complicated than expected and holds many surprises in store.