The sites and sounds at the 800-year-old Horenji Temple in Kyoto — electro music, English, takoyaki, a kaleidoscopic elephant — would seem to belie its long history. But in order for the family-run temple to thrive in the 21st century, it must continue to reinvent itself. Intimately following future head priest Scion (30) along with his fiancée Haruka and firstborn sister Ariya, critically-acclaimed director Ema Ryan Yamazaki captures one unexpected corner of Japanese society's struggle to balance tradition with progress.
The sites and sounds at the 800-year-old Horenji Temple in Kyoto — electro music, English, takoyaki, a kaleidoscopic elephant — would seem to belie its long history. But in order for the family-run temple to thrive in the 21st century, it must continue to reinvent itself. Intimately following future head priest Scion (30) along with his fiancée Haruka and firstborn sister Ariya, critically-acclaimed director Ema Ryan Yamazaki captures one unexpected corner of Japanese society's struggle to balance tradition with progress.
2021-06-26
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Follows an 800-year-old family-run temple in Kyoto as it struggles to balance tradition with progress in order to thrive in the 21st century.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
A film about the daily life of Martin, a handicapped child who will always be dependent on his parents. Ever since he was very small, Martin has had to get around in a wheelchair and has needed the constant help of an adult. Martin’s parents, Inga and Andris Skesteri, tell about their life, about their son’s character and about their hopes for the future.
“Peroni 7” talks about the transformative impact of Kosovo’s liberalized visas and migration. Through personal stories of new beginnings and farewells, the film paints a touching picture of a nation in transition, striving for a brighter and more connected future.
While global capitalism is a defining feature of our times, many engage in an anti-capitalist resistance. MARKET THIS! is a timely documentary that explores the desire for radical politics and culture in the Gay, Lesbian, Bisexual, Two-Spirited and Transgender community. The documentary began in 1999 after the Queeruption gathering in New York City. During workshops and caucuses and through discussion and entertainment, participants came together to explore ways that this community can sustain and validate itself without supporting a system that actively exploits poor people, women, People of Color, g/b/l/TS/t people. This video takes the dialogue from Queeruption one step further. MARKET THIS! considers both the successes as well as the problems which resulted most visibly (and ironically) from a lack of involvement and presence of People of Color and Transgender people.
A short retrospective documentary looking at the making of the final Hammer Films production of the 1970s, "To the Devil a Daughter."
This one hour documentary, presented by former Olympian Jonathan Edwards, dissects the story of St Paul, and aimed to reveal the background to the story of Paul.
Frank Zappa stopped by the Night Flight studios in 1985 to talk about music videos, censorship, the PMRC and what it's like to play in his band.
Sir Ian McKellen and Richard Loncraine talking about making the film.
The documentary of Kill Bill Vol.2, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 2. It consists of interviews, behind-the-scenes footage, and clips of the movie.
Ian James has been creating leather goods for nearly a decade, but only recently realized his dream of opening his own shop. When James got laid off during the COVID-19 pandemic, he took the plunge and opened his namesake boutique in San Francisco. James calls the shop—which includes both custom pieces and items that can be bought off the shelf—a “safe space for black people,” where culturally relatable creativity blooms in a gentrifying neighborhood.
Chris Renfro doesn’t just grow and harvest grapes on a hillside high above San Francisco’s Highway 280 to make delicious local wine. He is dedicated to building a sustainable food community that nourishes every member of the local economy and ecosystem. With the 280 Project’s mission to reclaim space, realize opportunity and revitalize community, Renfro brings both passion and vision to the notion that land ownership is a powerful path to self-determination.
Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”
A documentary of classified military footage released by WikiLeaks showing an attack by the US military in the Iraqi suburb of New Baghdad. This attack left 12 dead including two Reuters staff.
Short film made on the production of HOWL OF THE DEVIL.
A training video made by Doctor’s Associates Inc. to demonstrate basic customer service techniques for Subway employees.
The cast and crew talk about the core themes of the film and the seeds of the film.
Voleurz's third movie, with skiing, snowboarding and more goofiness from the Voleurz crew.
John Milius narrates this featurette on the Clint Eastwood classic.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.