From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.
From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.
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Ceased the thunder of cannons
In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.
Catarina comes across a traveling circus and meets Aaqil. She must uncover the truth and avoid doom flags!
A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.
Based on the book by Julia Alvarez. Three sisters become activists during the Dominican Republic's Trujillo regime when members of their family are killed by the government's troops.
Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.
Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.
A history of the political and social repression carried out by the ruthless regime of Spanish dictator Francisco Franco between 1936 and 1975 that focuses on the lives of gays and lesbians during those dark years and the death of the Spanish gay poet Federico García Lorca.
Abroad at the time of her death, a grandson returns to revisit the house of his late grandmother, now occupied by another family. A reflection on the love for a home where one grew up and yet made by a grandmother missing another life, in another house, in another country.
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.
Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.
In 1950s Italy, two middle-aged brothers go on a magical odyssey through their past as they take part in the world's most beautiful car race: the Mille Miglia.
Argentina, 1973. The return of democracy marks the beginning of a new countdown to the next coup d'état: on March 24, 1976, the worst dictatorship in Argentine history is installed, the bitter fruit of a plot carefully hatched for months.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.