When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
Clémentine
Hermia
Barbe-bleue
Rosalinde
When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
1984-12-18
0
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.
This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
Nic (Glenn Morshower), a devoted father, husband, and friend with a passion for fishing and bowling, had the perfect life until his wife left after they became empty nesters, leaving him heartbroken. However, his world takes a hilarious turn when he secretly starts dating his best friend's (Kevin Farley as Pastor Kris) sister, leading to uproarious complications. This heartwarming comedy-drama follows Nic as he navigates the aftermath of his wife's departure, discovering the transformative power of love, friendship, and laughter in unexpected places, all while cherishing his favorite pastimes of fishing and bowling. Actor/Comedian Gary Valentine plays the role of Spike, Nic's high school rival.
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
20-year-old Jing Hao came to Shenzhen to live with his young sister alone. The siblings live a warm yet straitened life. In an effort to pay for his sister's expensive surgery, Jing Hao gets an opportunity by chance, thinking that a better life is coming, but unexpectedly encounters a serious setback. Under the pressure of both time and money, Jing Hao, who has no way out, decides to take a desperate gamble. Can this ignite the spark of hope for his troubled ordinary life?
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
S&M2, the live concert film from Metallica and the San Francisco Symphony is the concert event of the year! S&M2 features 20 songs from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favourites and two unique classical songs chosen by San Francisco Symphony Musical Director, Michael Tilson Thomas. S&M2 is newly re-edited by the band, with re-mixed and remastered audio, for a whole new look and sound from the original theatrical run in October 2019.
Rick Riker is a nerdy teen imbued with superpowers by a radioactive dragonfly. And because every hero needs a nemesis, enter Lou Landers, aka the villainously goofy Hourglass.
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Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Lily is a typical 150-year-old lovelorn vampire who's looking for the man of her nightmares -- until she lays her eyes on Herman, a 7-foot-tall green experiment with a heart of gold. It's love at first shock as these two ghouls fall fangs over feet for each other in a Transylvanian romance. Unfortunately, it's not all smooth sailing in the cemetery as Lily's father has other plans for his beloved daughter's future, and they don't involve her new bumbling beau.