
A light explodes and becomes a snail.

A light explodes and becomes a snail.
2024-05-10
6
THE MACHINE IN THE SHELL
8.0An experimental four-part short film that shows the outcomes of life through a vacation trip.
10.0A second part mini documentary series of "The Middle" stories of UFO and Extraterrestrial contact.
6.5Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
9.3Mickey and his friends take a close look at important street safety situations and tips.
6.1The Stooges run a pet hospital and are the proud surgeons of Garçon, a prized girl poodle of socialite Mrs. Bedford . When two men posing as reporters kidnap the poodle, the boys frantically try track them down.
6.0A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.
6.0Yoshio Hori is a day laborer in the 1980s during Tokyo's economic boom. Initially, Yoshio sought out Asagaya to live a free-wheeling lifestyle but that was quickly dropped as he was confronted with reality. He lives a life of extreme poverty and encounters all types of characters from Japan's sub-cultures, including yakuza, drug addicts, and alcoholics.
4.9Set to music by Bikini Kill (an all-girl band from Washington), Girl Power is a raucous vision of what it means to be a radical girl in the 90s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.
5.5Dick Romans is a washed up TV host whose wife walks out on him the day before their ten year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become Dick's reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self examination.
6.8Two childhood friends become mortal enemies after their lives take drastically different paths and they discover that they are both in love with the same woman.
7.0Be My Brother stars aspiring actor Gerard O'Dwyer as Richard, a young man whose charm and charisma challenges the prejudices of a stranger waiting at a bus stop. When he impacts the stranger’s world, he also impacts the heart and mind of someone else close by. With Gerard O'Dwyer in the leading role, Tracie Sammut as camera assistant, Georgia Cranko as unit manager and Gordon Crane as gaffer, the filmmaking experience of Be My Brother presented an opportunity for creative people with disabilities to experience working on a film set in the capacity of either crew member or performer. Genevieve met Gerard while filming a documentary for Down Syndrome NSW, as part of the Up, Up and Away Project, and was instantly inspired by his vivacious personality and a photographic memory for dialogue. She decided to write a script for him to act as the lead, in order to create a platform to showcase his talent and ability as an actor.
10.0Film about the first French expedition in 1968 in the Wakhan Corridor in Afghanistan. After a long and laborious approach by R4 car in the footsteps of Marco Polo, through Turkey, Iran and Afghanistan, to the high valley of Wakhan, in the heart of the Hindu Kush, Isabelle and Henri Agresti (high mountain guide), accompanied by Yves Dominoni, Renée and Lucien Agresti, more than precious help, explore a little-known valley for 40 days, and climb some virgin peaks of 5000 and 6000 meters. The return to Europe will be by the tracks and roads of the south: Pakistan, Iran, Iraq, Jordan, Syria... A trip of approach to go later to explore the mountains of China, then still closed, and the Tibetan side of Everest... The project of a lifetime.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
8.0For Burgess "Buzz" Zwink (Bradford Jackson), wasting life is a way of life. At thirty-two years old, and still living with his parents, Buzz's adult life seems to be nothing more than a continuous haze of debauchery. That is until his carefree recklessness lands his lifelong friend in the hospital after another of his drunken mishaps. Faced with the reality of his choices as he reluctantly forces himself into sobriety, Buzz begins to realize just how much pain he has caused to those around him. With the help of a young Inupiaq boy (D'Artagnon Moonin), and an elderly, life-long alcoholic (Thomas G. Jacobs), Buzz must face his past, present, and possible future in order to take his life back from the bottle, and above all else, seek forgiveness not only from those he has wronged, but from himself.
8.0Making of documentary surrounding the production of ‘Anora’
10.0A wanderer, captivated by the beauty of the world, carries a unique and terrifying curse: every illness he sees transfers to him. To escape this fate, he makes the ultimate sacrifice, relinquishing his eyesight—the very sense that connects him to what he loves most, at this point he happens to meet someone which shapes this short film.
5.0The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
7.0"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
0.0To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
10.0Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
0.0Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
5.2"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
0.0Experimental film by Motoharu Jonouchi comprised of both archival footage from the 1960s Japanese student riots and dramatised re-enactions. It was created as a tribute to Michiko Kamba, a student victim of the riots.
10.0Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.
5.8A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
0.0A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
0.0Two halves split by the perseverance of a scorpion. Come on, feet.
9.0An eight-hour contemplative epic, entirely starring sheep.
0.0Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.
6.2In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.
0.0The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
0.0A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.