Shinkichi, cigarette seller
Shinzaemon Fukami, father
Onani, his mother
Shimbei, his uncle
Oshiga, his daughter
Sôetsu, Toyoshiga's father
Oyô, neighbor girl
Kyûshichi, clerk
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Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
A man comes to the beach with one goal: digging a hole. But what he finds beneath will shock him.
A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.
An office worker Mr.Kim is forced to sign up for early retirement, only to be plagued by horrifying visions of his silent family's contemptuous gaze.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A new young couple struggles to keep their relationship afloat.
A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.
The Tenant continuously fails to escape his deadly apartment under five minute time limit as his blood-thirsty neighbor threatens to break in and exterminate him.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.