1930-01-01
0
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
A silent film following a man on the verge of the nervous breakdown as he is pursued by an ominous stalker.
The Epicure depicts a person undertaking a highly unusual meal, for which the motives of doing so, are unknown
Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.
A woman is murdered during an overnight train ride and a veteran detective clashes with young P.I. on how they are going flush out the killer. They find themselves racing against the clock when a second body is discovered.
A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.
Silas Hayseed arrives in town and proceeds to put up a hotel noted for its 'tables,' which are all made of hard wood. The country yokel is shown to his room and divests himself of his best Sunday-go-to-meetin' clothes. His little bunch of whiskers that adorn his chin seem to be as proud of him as his Melindy Jane, whom he left in Grassville, back over yonder. He is finally undressed and tumbles into bed, resolving meanwhile to dream of the good prices he will realize in his produce. While pondering over matters, he looks around and discovers a Ghost standing in the middle of the room. Silas becomes scared, begosh, and leaping out on the floor begs the Ghost to do him no harm. The Ghost suddenly vanishes and the Hayseed is about to jump into bed again when Satan appears from under the sheets and scares him to such an extent that he is willing to promise him even a box of fresh rooster eggs if he will only go away.
This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.
An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile comes up the road, straight towards the camera. As it gets nearer, the occupants start to wave frantically, but can a collision be avoided?
A land spirit who fall in love with a mountain spirit on a hot day.
A woman imagines the revenge of a gypsy that she sent away. This piece is told in multiple scenes, in an increasingly artificial world, as the venue shifts from a realistic courtyard to a wild, stagebound prison in which various stage monsters appear.
The Bogie Man's cave is one of the many triumphs of set design for Georges Méliès. More unusual for the pioneering French director is the grisly turn when the monster chops up his servant for a steaming pot of stew. But the Bogie Man’s guilty conscience weighs on him, plaguing his sleep with even more fantastic visions of just deserts. (Max Goldberg, Fandor)
Two sets of images are superimposed. From the side, we see a two-masted ship. Across the deck walks a skeleton. It sits down, its legs akimbo. The legs separate and continue a dance while the body of the skeleton faces us and the skull moves its jaw bone. It rises and the legs rejoin the skull and body for an additional jig back and forth on deck.
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place.
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her.