The Transition Period(2009)

The Attorney(ko)

Song Woo-seok is a lawyer with no clients. When his friend's son is falsely accused of a crime and tortured, he takes up the case and the course of his life changes for good.

Be My Slave(ja)

Dan Mitsu stars as Kana, a female employee at a publishing company who strikes up a sexual relationship with a younger co-worker. He soon discovers that Kana's fetishes extend to sadomasochistic tendencies, involving a mysterious man only known as "Sensei". This discovery will push his relationship with Kana to a new, dangerous level that he may not be ready for.

The Ditch(zh)

The film focuses on the suffering of Chinese who were imprisoned in a forced labor camp called Jiabiangou in the Gobi Desert in winter 1960 under Mao Zedong on the grounds that they were "rightist elements". The film tells of the harsh life of these men, who coped with physical exhaustion, extreme cold, starvation and death on a daily basis.

Pride & Prejudice(en)

A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.

Oppenheimer(en)

The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.

Cries and Whispers(sv)

As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

Ex Machina(en)

Caleb, a coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.

Shutter Island(en)

World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by troubling visions and a mysterious doctor.

American Beauty(en)

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Inception(en)

Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.

PK(hi)

A stranger in the city asks questions no one has asked before. Known only by his initials, the man's innocent questions and childlike curiosity take him on a journey of love, laughter and letting go.

Julieta(es)

The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.

12 Angry Men(en)

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

In the House(fr)

A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher. Faced with this gifted and unusual pupil, the teacher rediscovers his enthusiasm for his work, but the boy’s intrusion will unleash a series of uncontrollable events.

Black Mass(en)

The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.

Eden Lake(en)

When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival.

Interstellar(en)

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Pulp Fiction(en)

A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.

Django Unchained(en)

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

The Man Without a Past(fi)

Arriving in Helsinki, a nameless man is beaten within an inch of his life by thugs, miraculously recovering only to find that he has completely lost his memory. Back on the streets, he attempts to begin again from zero, befriending a moody dog and becoming besotted with a Salvation Army volunteer.

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Railway Station(pl)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Gimme Shelter(en)

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary(en)

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Dont Look Back(en)

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Stockholmania(sv)

Documentary depicting a group of different people and their lives in Stockholm under different conditions and through all seasons.

Angels Don't Die(fa)

In a time when living in Gaza has shifted from a natural right to an imposed duty, the people of Gaza learn how to navigate and overcome this reality with resilience.

Mommy, What's a Funkadelic?(en)

George Clinton's somewhat absurdist take on Parliament-Funkadelic history. Features never-before-granted access to his archive and spotlights his alter egos and friends

Purr(tl)

A queer college student pursues dancing despite the challenging life in the Philippines.

Navrácené zdraví(cs)

LCP, 20 ans en quête d'utilité publique(fr)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Boca Fechada(pt)

Nossa Terra(fr)

Nossa Terra is a combat film, an urgent film, shot during the guerilla warfare surrounding Guinea-Bissau’s struggle for independence in the mid-1960s. Before becoming a politically committed filmmaker, Mario Marret had been a resistance fighter, an anarchist activist, a radio operator, an explorator. Making his way in French anti-colonial activist circles, he moved closer to the PAIGC (the movement for independence in Guinea and Cape Verde), who was then interested in cinema as a combat tool. He will be the first director to join the struggle. “It was a testimony. Never mind the format, the camera, all these things, a filmmaker was present. The filmmaker must be at the place where the world is made, when it is made. (Mario Marret)”(Léa Morin)

The Bath(pt)

A baby is bathed by its mother, who sings: “When I was a young girl…”. Later, a little girl’s voice will pick up the thread: “When I’ll be an old lady…”. Between the two, the film sketches an anthropology of all the different games, wonders, and plays with auditory perceptions that children carry out with water in all its shapes (baths, sprinklers, lakes…). But other dimensions are hinted at: an exploration of its meanings for mankind, a kaleidoscope of its movements, textures, and reflections, a spectrum of the scales in which it is to be contemplated. (Nathan Letoré)

Maîtres Anciens (Comédie)(fr)

Like Reger – the character Thomas Bernhard placed on a museum bench in front of a painting by Tintoretto, an ‘old master’ if ever there was one – an actor finds himself alone and stranded after a notorious virus closes theatres indefinitely. Here he is, wandering through an empty theatre, walking through pointless backstage areas and stumbling onto a street haunted by masked passers-by. Having convinced a fireman to look after him and his explosives, he tells him and the silence around him of his disgust with, amongst other things, the Heideggerians, the lack of punctuality, people who admire as opposed to respect and the State’s appropriation of children. In the overlapping of film and theatre, despair and survival, 1980s Austria and 2020s France, Bernhard’s text gains fresh resonance, “…and as far as culture is concerned, in this country your stomach is only there to churn.”

Creators(az)

The film tells about the study of the cruel impact of the communist-bolshevik ideology on the cultural heritage and the way of thinking of Azerbaijan against of the background of the life and work of Mikayil Huseynov and Sadyq Dadashov - the great Azerbaijani architects of the 20th century.

Behind the Rage: America's Domestic Violence(en)

In America, most female homicide victims are killed by their current or former partner and one in 4 women experience domestic violence or abuse. In this special documentary for ITV's acclaimed Exposure strand, the Bafta and Emmy-winning filmmaker Deeyah Khan asks a simple question : is it possible to reduce these endemic levels of male violence? In search of an answer, she hears heartfelt testimonies from survivors and victims’ families, and gets vital insights from social workers and psychologists who work with violent men. And she speaks to those whose voices are rarely heard in conversations about domestic violence yet hold the key to stopping it: the perpetrators themselves.