In this episode of HIUWTS, Hana’s birthday goes wrong! Mom throws the perfect party, but Dad spoils all the fun… Watch as the TV crew invades the family’s home and the show distorts their reality!
In this episode of HIUWTS, Hana’s birthday goes wrong! Mom throws the perfect party, but Dad spoils all the fun… Watch as the TV crew invades the family’s home and the show distorts their reality!
2024-06-21
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Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.
A small town shortly before the end of the GDR: 15-year-old Ulla lives with her mother in a dilapidated old building where not even the electricity works properly. Economy of scarcity and national bankruptcy are visible everywhere. Only higher party comrades live in the lap of luxury. When Ulla meets Winfried after a summer bathing trip, the two fall in love. Winfried is the son of an influential general director and owns things from West Germany that others only dream of: a computer, a games console, a walkman. On an excursion with her biology class, the high school student discovers that a dacha is being built in the middle of the nature reserve and the creek has been dammed. Winfried's father turns out to be the culprit, but the mayor is on his side. Ulla rebels against this environmental destruction connected to political corruption and organizes a protest. Her activism not only endangers her own future, but also her first great love.
The Orange is a drama about a lonely man reliving the night he met his soulmate.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
A woman is reduced to tears. She bends over backwards trying to be a good wife and mother. Her head is cut off from her heart. A doctor picks her brain. A boy inherits his mother's depression. Short of Breath is a haunting, emotional collage about birth, death, sex and suicide. It's like a punch in the stomach.
Tilly, Miah and Safa are three young women who endure debilitating period pain. Following an adolescence with little menstrual education, support or relief, they navigate the physical and emotional toll of intensely painful periods while trying to maintain a normal life.
Love can't fill every need, and love can't make problems vanish. Struggling with her own image and self worth, Esther's secret daily struggle with Anorexia reaches a breaking point.
A timid young man asks the help of a retired masked wrestler to help him find his fiancée, who has been kidnapped by evil aliens. Zombie, robots action and comedy go hand in hand in this delirious silent tribute to "B" movies.
Danny tries to relive past glories by trying to revive his cancelled ghost hunting show.
A young Chilean boy is abandoned by his parents in the city where he forms a connection with a pack of wild dogs.
A mockumentary detailing the history of the Swedish rock band Ghost.
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness.
Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.