The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.
The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.
2024-02-18
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The fate of Ukrainian cultural heritage
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Some of them move. Others make noise. One weighs in at 700 pounds. Collectively, they represent the future of contemporary craft. Go behind the scenes of the "40 under 40: Craft Futures" exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40. Observe this wildly creative and diverse exhibition, assembled for the 40th anniversary of the Smithsonian American Art Museum's Renwick Gallery, and witness the challenges and rewards of bringing together 40 unique artists at the top of their craft.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
The natural sciences museum of La Plata, Argentina, had indigenous people held captive as study objects in the past, and their skeletons were on exhibit for many decades. The story of Krygi, served as a trigger to look back at the ideologies that defined us as individuals and as a people.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.
On the morning of October 10, editor Yury Marchenko was supposed to be running through Shevchenko Park, near his home, at the same time as the Russian rockets hit it. One of them — to the playground, the other — to the intersection of Shevchenko Boulevard and Volodymyrska Street. The blast wave damaged "strategic" objects: museums, educational institutions, restaurants, galleries, hospitals, the Ministry of Education, the Teacher's House and the protective structure around the monument to Mykhailo Hrushevskyi. We are looking for an answer not only with Yuriy Marchenko, but also with volunteer Serhii Prytula, architect Slava Balbek, historian Oleksandr Palii, military expert Serhii Kuzan, deputy director of the National Science and Natural History Museum of the National Academy of Sciences Oksana Chervonenko and director of the Khanenko Museum Yulia Vaganova.
Makariv is a small village near Kyiv. In February and March, there were battles here as the Russian army was on its way to Kyiv. Many buildings were damaged by shelling, including the local fire station. Volunteers from the organisation Building Ukraine Together set up a camp to help the firefighters restore the building. They woke up, did exercises, had breakfast and repairs, and in the evening shared their experiences and their own stories. Artem's friend was killed in Tokmak in the first days of the war, Ira witnessed the death of her family in Irpin, Dasha's father is in the Ukrainian army, Yura left the camp early because he went to the funeral of his friend who died at the front. These stories are much deeper than they seem. Find out more about youth and war, about repairing without experience and a summer camp in a bombed-out village in the documentary story by Suspilne Culture.
Gathering together dozens of his musicians, providing them with housing and work in Lviv, organising the evacuation of instruments from under fire, and continuing to perform: this is the second time that the director of the Luhansk Philharmonic, Ihor Shapovalov, has revived the orchestra. Back in 2015, after being rescued from Luhansk, Sievierodonetsk became his home. In seven years, Igor has managed not only to staff the orchestra, but also to establish links with orchestras from Europe and different parts of Ukraine, and to show that Luhansk region has always been, is and will be Ukrainian. Today, the battle for Sievierodonetsk is ongoing, and Russia's large-scale invasion is putting the musicians in front of new challenges. But they remember why it is worth taking to the stage again and again, to spread Ukrainian and European culture.
To travel all over Ukraine, collect 25 casts of Ukrainian girls' bodies and make a sculpture out of them for Independence Day. Ceramist Slavik Pasynok spent the summer creating his project ‘The One’. To do this, he made a cast of a certain part of a girl's body in each region. He formed a sculpture from the casts, and the UA: Culture team filmed the process. Is it possible to assemble something unified from different parts?
The artists Zhanna Kadyrova and Denys Ruban spent two weeks in the basement of their house, fleeing from the rocket attacks and sabotage groups of the occupiers that were flooding the outskirts of Kyiv at the time, and then decided to evacuate to western Ukraine. Local residents of one of the Zakarpattia villages sheltered them in a picturesque house on a hillside, next to a river. Doing what you know and love for the benefit of Ukraine is the best thing an artist can do in times of war. This is how the Palianytsia project was born - a series of objects made of stones cut by a mountain river. Zhanna sells them to patrons and galleries and uses the proceeds to buy bulletproof vests, radios, thermal imagers and other things our soldiers need. Before she sends her ‘loaves’ to Venice for the Biennale, Zhanna holds an exhibition in the village where she now lives, so that the people who have taken her in can be the first to see her art.
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.
Film made by activists who lived for a month in the Plaça de Catalunya in Barcelona after the start of a full-scale Russian invasion of Ukraine in 2022.
While the armed conflicts on the Ukrainian front have become a traumatizing everyday reality, out of necessity new structures of care have developed among Ukrainian society. As a contemporary document, this film looks at unseen moments of care work - continuous attempts to restore respect and security to people who have been violently deprived of them.