The Whole and the Parts(2024)

If Stone Could Speak(en)

Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.

Stones and Flies: Richard Long in the Sahara(en)

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

If My Father Were Made of Stone(en)

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Maimed Artist(en)

Documentary that profiles Mark Pauline, the machine performance artist of Survival Research Laboratories. As the Title suggests, Pauline lost most of one hand during experimentation. 'Maimed Artist' explores the often destructive world of such performance art, where there is a fine line between entertainment and insanity.

A Scenic Harvest from the Kingdom of Pain(en)

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

Marcello l'artiste duchesse(fr)

La Victoire de Samothrace, une icône dévoilée(fr)

A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture

Christo and Jeanne-Claude: Monumental Art(en)

In the summer of 2018, on the Serpentine in London's Hyde Park, world-renowned artist Christo created his first public work of art in the UK. Inspired by ancient Mesopotamian tombs, the Mastaba is constructed from 7,506 painted oil barrels and weighs six hundred tonnes. It is the latest work in a career spanning half a century and stretching across the world. His work to date have included surrounding 11 islands off the Florida coast with pink polypropylene and wrapping Berlin's Reichstag and the Pont Neuf in Paris. This programme charts the creation of the Mastaba - from the first barrels being put on the water to its final unveiling - and paints a portrait of Christo as he looks back on a life spent making provocative works of art with his wife and partner Jeanne-Claude.

Guido Magnone - The Artist(fr)

Guido Magnone designs cardboard boxes by hand for his parents' small business. A painter friend loves his brushwork and pushes him to attend the Beaux Arts. He takes an external competition, wins it, befriends the sculptors César and Féraud, surrealists, a handful of bohemians. He then discovered the mountain and quickly became one of the best climbers of his generation. He made prestigious conquests such as the west face of the Drus in the Alps, the first ascents of Fitz Roy in Patagonia with Lionel Terray or Makalu in the Himalayas... Magnone also participated in the creation of the UCPA and will be president of the Groupe de Haute Montagne from 1961 to 1965. From 1977, Guido returned to his first passion: sculpture, to devote himself fully to it around 1990. He began to exhibit again in 1996. In 2002, he exhibited his sculptures in Paris , Bourg-la-Reine, Aosta then in Etroubles in 2009.

Umění kovolitců(cs)

Fire in Castilla (Tactilvision from the Moor of the Fright)(es)

A short, experimental documentary featuring sculptures by Alonso de Berruguete and Juan de Juni. Shot within the Valladolid National Museum, the film is an excercise in what Val de Omar called "Tactile vision".

Sochár Peter Lehocký(sk)

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Documentary: Rachel Whiteread, House(en)

Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the twentieth century. Completed in autumn of 1993 and demolished in January 1994, House attracted tens of thousands of visitors and generated impassioned debate, in the local streets, the national press and in the House of Commons.

Het Ding (untitled, 1957)(nl)

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.

César sculpteur décompressé(fr)

Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!

Pelle vegetale. Un'intervista(it)

Kusama's Self-Obliteration(en)

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

Somewhere Out There(en)

Charlie Brouwer, a Virginia sculpture artist, shares his experience of becoming legally blind later in his career. Unexpectedly, he finds acceptance through an unlikely muse.

The New Monuments(en)

Artists like Robert Smithson, Donald Judd and Peter Hutchinson borrowed liberally from science fiction film and literature in their work. This collage treats the marvellous, seemingly indestructible, objects of mid-century science fiction cinema as artworks in their own right.