Harrow Hospital Carnival(1933)

Shâd Bâsh(fr)

2 or 3 Things I Know About Him(de)

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Neirud(pt)

Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?

95 and 6 to Go(en)

Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.

Haus und Hof(de)

Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.

Where Dragons Live(en)

Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.

Nan(zh)

A portrait that follows Nan, my uncle and the last two years he and his parents live together. In long, tightly framed shots, a picture emerges of three intimately interwoven lives: the gentle and touching bickering between Nan and his mother, the evenings in front of the television when time seems to stand still, and the minutes ticking by as Grandpa silently peels an apple. In the film, disability is not only seen as symptoms on individual bodies, but as social, physical, and temporal relationships. It is a meditation on time, disabilities, and the economies of care in contemporary China.

Passing Time(fr)

Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.

Eneida(pt)

Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.

Reimagining A Buffalo Landmark(en)

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Hemshej(es)

In 1939, Joel and Jana escape from their village because of the arrival of the Nazis. That decision would make them the only ones in their family to survive the Holocaust. 80 years later, Juliet, their granddaughter, decides to retrace their steps to understand what lies behind her father's silence. Then, she begins to suspect that there is a part of her own history that was omitted.

Back To Africa(en)

My Life Part 2(de)

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

My Child(tr)

What happens when your child comes out to you? In this feature documentary, parents of lesbian, gay, bisexual and trans-gender individuals in Turkey intimately share their experiences with the viewer, as they redefine what it means to be parents in this conservative society.

Carny(en)

CARNY is an intimate, gritty and poetic adventure following the lives of 'carnys' - traveling fairground workers whose experiences are outside the normalcy of most North Americans.

Milestone No. 2(en)

A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.

Batatinha, Poeta do Samba(pt)

A portrayal of the life of one of the most important samba musicians in Brazil, Bahian sambista Oscar da Penha, popularly known as Batatinha (1924 -1997). Through memories of their father, his nine children share their perspectives, as well as interviews with family, friends and musicians, to tell the story of Batatinha’s life, history and work.

Big Charity: The Death of America's Oldest Hospital(en)

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

Surviving Clotilda(en)

In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.

Der entsorgte Vater(de)

In moving interviews, four fathers describe their suffering and efforts to keep contact with their children. A mother justifies the refusal of contact from her point of view. Despite the seriousness of the topic, the film manages to remain entertaining and even delivers an amusing snapshot of German sensitivities and the state of the Republic.