Slovenský žalmista Pavol Országh Hviezdoslav(1996)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Slash: Raised On the Sunset Strip(en)

A Directv and Guitar Center documentary highlighting the iconic rock guitarist, Slash. Featuring interviews with Dave Grohl, Joe Perry, Alice Cooper, Duff Mckagan, Nikki Sixx, and many more...

Bethune(en)

A film biography of Dr. Norman Bethune, the Canadian doctor who served with the loyalists during the Spanish Civil War and with the North Chinese Army during the Sino-Japanese War. In Spain he pioneered the world's first mobile blood-transfusion service; in China his work behind battle lines to save the wounded has made him a legendary figure. This hour-long documentary film pieces together his remarkable career.

Goodbye Darling, I'm Off to Fight(it)

Standout: The Ben Kjar Story(en)

Standout tells the powerful story of Ben Kjar, born with Crouzon Syndrome, a rare craniofacial disorder. From birth, doctors warn that his life will be overshadowed by limitations. Ben yearns for an ordinary life free from the harsh scrutiny he faces daily. However, each experience of adversity, including relentless bullying and a series of painful surgeries, ignites a fire within him. Wrestling becomes his proving ground, a place where he learns to transform his facial difference into a source of power. Determined to succeed, he pushes himself relentlessly, breaking through physical, social, and even romantic barriers that once seemed insurmountable. But as unexpected challenges arise and ridicule resurfaces, Ben finds himself at a defining crossroads: fade into the background of a “normal” life, or fully embrace his unique path and boldly stand out.

Anonymous(en)

A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.

Vana: The Biggest Race Is the Life Itself(cs)

A documentary portrait of a legendary Czech jockey, Josef Vána, reveals his inner world of thoughts. His unique way of life can't be described in words, and this is a first, really original view into his daily life around horses, terrifying accidents, and also stories about his family.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Urtain, King of the Mountains(es)

A humorous visit to the turbulent world of the controversial Spanish boxer José Manuel Urtain.

Captain Blood: A Swashbuckler Is Born(en)

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

Cool Water(en)

21-year-old Keith Blauschild, formally trained in the culinary arts, is also a self-taught ice carver. Together with his fiancee Angela Boone, Keith sculpts intricate but impermanent artworks for catered affairs, hotels, cruise ships and for advertising promotions. In this short documentary profile, Keith is filmed as he fashions a prototype (a sword-bearing warrior fighting a dragon) for an upcoming ice carving competition. At the contest site, the young man joins scores of other chainsaw-wielding sculptors busily freeing their creations from blocks of ice. Although Keith does not win a prize, his devotion to ice-carving remains intact. Moving from his home in New Jersey to a new life in Florida, Keith is featured as the "Person of the Week" on a Florida news broadcast

What The Durrells Did Next(en)

Hosted by Keeley Hawes, star of the popular television series The Durrells, this documentary reveals the adventures of the eccentric Durrell family once they left Corfu, Greece.

To Be Frank: Sinatra at 100(en)

The life of Frank Sinatra, as an actor and singer and the steps along the way that led him to become such an icon.

The Presence(hu)

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

The Presence II(hu)

An exploration of a decaying synagogue.

The Presence III(hu)

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Midsummer Memories(sv)

A 1942 short film.

Light Years(en)

A unique record of the life and work of eminent Australian photographer, Olive Cotton.

Milk(en)

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.