MVCK BATH(NaN)

GRIS(pt)

De Wind(nl)

Bramayugam(ml)

Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.

Caterpillar(ja)

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

The Paralysis(es)

After waking up with amnesia on the beach, the protagonist is pursued by the police to face the consequences of an unknown past. This soundscape uses tension as a tool to explore how uncertainty, anguish and urgency mobilize a body that would otherwise remain paralyzed in time.

Bei Ewald(de)

A man sits at the table and eats his meal...with rather unusual effects.

Friend of the World(en)

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Old Man's hell chess(xx)

The Canterville Ghost(en)

An American family moves in to the Canterville Chase, a London mansion that has been haunted by ghost Sir Simon De Canterville for 300 years.

Údolie večných karaván(sk)

Layla(en)

In this 60 second art piece, a dog named Layla is called upon by nature to defend harmless daisy flowers from the wild grass that is conquering their territory.

Chimera(en)

Lost in the woods, a panicked Griff desperately tries to find his way home, but as he moves deeper into the depths of the woods he faces more nauseating uncertainties. Bewildered and disoriented, he must leave the woods.

NOISE!(en)

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.

Abysse(fr)

Other Land(en)

You find yourself in a foreign landscape. Two other people are on the horizon. Something about the world around you is off. It isn't long before something is released from a caged pit. There is limited time left as something ugly consumes the land around you. Is this Earth?

The Mollie Project(en)

"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."

Keratin(en)

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

687(en)

Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.

House(ja)

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

Echo(en)

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?