Fredy(NaN)

Je suis finissant(fr)

Quartiers sous tension(fr)

Snowflakes at the End of the World(fr)

Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.

Lila(fr)

La Coupe Stanley à Montréal en 1993(fr)

Les Mathématiques du Roi Heenok(fr)

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Breaking Point: Canada/Quebec - The 1995 Referendum(fr)

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

September Five at Saint-Henri(fr)

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Bledi, This is Our Home(fr)

Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.

Interchange(en)

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

In unison(fr)

No entry(fr)

Prohibited, abandoned, and unexplored sites are hidden and sealed in Montreal. Entering defies the law, danger, and death. The urbex community is an even better-kept secret. Enter into this universe at your peril.

Lorraine Pintal - So The Light Never Dies(fr)

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

My Name Is Susan Yee(en)

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

Black Hands: Trial of the Arsonist Slave(fr)

Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?

Our Street Was Paved with Gold(en)

Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.

Show Girls(en)

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.

Nos Amours: The Saga of the Expos of Montreal(fr)

The film explores key moments in the history of the Expos as well as the relentless efforts to bring major league baseball to Montreal. Continuation of the work released in 2003.

Coller pour crier(fr)

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.