1944-01-01
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Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"
An attempted evocation of the tradition of British printing, in a series of dramatised impressions: the discovery of a new method of printing in France and its development in England. The beauty of language is illustrated by excerpts from the works of Shakespeare and Dickens.
Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.
HP's latest entrant in "The Wolf" series once again pits Slater's character against The Fixer.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Mr Munnings is printing some posters advertising the Fire Brigade band's forthcoming concert. Captain Flack tells his men to put the posters up around town but where can they put them? Nick Fisher the bill poster helps them out.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Fruit Flies, frogs and dogs are only a few of the many animals man has sent into space. The short documentary The Conquest of Space tells the story about the chimpanzee Ham that was sent to space some months before Gagarin became the first man in space. Based on archival footage from NASA and National Archives, The Conquest of Space is tragicomic look at the space program and the animals that went into space before humankind.
60 years ago, almost nothing was known of elephants in the wild. But then one young Scottish biologist changed that forever. In 1965 Iain Douglas-Hamilton arrived in Tanzania to live alongside African elephants. Later joined by his wife Oria and daughters Saba and Dudu, elephants became central to their lives with matriarch Boadicea and gentle young mother Virgo cherished like human relatives. But this garden Eden was short-lived as an ivory poaching epidemic swept across Africa forcing Iain to switch from pioneering scientist to maverick conservationist. He became a lone crusader against the international Ivory trade which was finally banned in 1989. Now back in the field and revealing even more about the fascinating world of elephants, Iain’s work continues alongside a new generation of Kenyan conservationists. This inspiring documentary combines stunning wildlife imagery with the story of a remarkable life showing how sometimes you have to stand alone to protect what you love.
This Traveltalk series short visit to the province of Ontario begins in Ottawa, Canada's capital, then proceeds to Algonquin Park, Toronto, and Niagara Falls.
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.
A newly-produced 43-minute making-of documentary of the film Thriller: A Cruel Picture, a 1973 Swedish rape-and-revenge exploitation film written and directed by Bo Arne Vibenius under the pseudonym Alex Fridolinski, and starring Christina Lindberg and Heinz Hopf. It features narration by Vibenius and on camera interviews with star Christina Lindberg, stuntmen Bo Sunnefeldt and Lasse Lundgren, and actor Gunnar Palm.