

Benjamín trips to the south of Chile with his family and shots a visual letter to deceased filmmaker Raúl Ruiz.
Himself
Herself
Himself
Himself
0.0A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
7.1If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
0.0Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.
6.5Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
4.9Twenty-five films from twenty-five European countries by twenty-five European directors.
0.0A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less happy times. For Nenda Neururer, the word 'oachkatzlschwoaf' invokes a range of emotions. The German word is very hard to pronounce and is synonymous with the Austrian state of Tyrol where locals tease outsiders by asking them to pronounce it. Despite growing up in Tyrol, Nenda Neururer often felt like an outsider when confronted with this word. But when she moved to London she grew nostalgic for it and it became her little secret. Found in Translation is a series made as part of the In The Mix project, in partnership with BBC Studios TalentWorks, Black Creators Matter and the Barbican.
0.0Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
0.0Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
0.0Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
0.0Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
6.0Three short films by Sergei Parajanov, Hakob Hovnatanyan (1967), Kyiv Frescoes (1966) and Arabesques on the Theme of Pirosmani (1986). Scanned and restored from the original camera negatives in 4K by Fixafilm. Produced in association with National Cinema Centre of Armenia (NCCA), Dovzhenko Centre and Georgian Film. Scans for Hakob Hovnatanyan and Arabesques on the Theme of Pirosmani financed by Kino Klassika.
7.1A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.
