Reset(2025)

Seven Years-Journalism without Journalist(ko)

A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?

세월X(ko)

Cyber Hell: Exposing an Internet Horror(ko)

Anonymous and exploitative, a network of online chat rooms ran rampant with sex crimes. The hunt to take down its operators required guts and tenacity.

We remember: Trauma(ko)

Geographies of Kinship(en)

In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.

Korea: The Never-Ending War(en)

Shedding new light on a geopolitical hot spot, the film — written and produced by John Maggio and narrated by Korean-American actor John Cho — confronts the myth of the “Forgotten War,” documenting the post-1953 conflict and global consequences.

The Last of the Sea Women(en)

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

Patriot Game 2 - To Call a Deer a Horse(ko)

Several Successful Situations; Simultaneous & Successive(en)

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

K-Family Affairs(ko)

In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.

TXT (TOMORROW X TOGETHER) STILL DREAMING(ja)

Still Dreaming is TXT's first Japanese studio album. It was released on January 20, 2021. It was released with an accompanying DVD with the music video for the Japanese version of 'Blue Hour' and the making of the music video with interviews.

Permission to Exist(en)

In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?

The Truth Shall Not Sink with Sewol(ko)

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.

President′s 7 Hours(ko)

The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.

The Talent Show(ko)

Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.

Yellow Ribbon(ko)

South Korea’s Adoption Reckoning(en)

FRONTLINE and The Associated Press examine allegations of fraud and abuse in South Korea’s historic foreign adoption boom. The documentary investigates cases of falsified records and identities among the adoptions of 200,000 children to the U.S. and other countries over decades.

Shadow Flowers(ko)

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​

Upside Down(ko)

304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.

White Jungle(ko)

It is year 2011 and the government still talks of economic growth through medical care under the table. In reality, common people cannot afford to go to a hospital. They are nothing but extra casts in a promotional film for showing. The reality is a white jungle where medical care has become the market of extreme commercialization and doctors and patients are just too familiar with the physiology of jungle life. New rules and regulations must be practiced in this jungle. The film finds a solution by looking at medical care not as a personal means of production but community welfare.