1953-01-01
0
An intimate documentary about one family's endeavor to live as Ainu in today's Japan.
Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
A woman with indiginous roots in her 40s goes on a trip into her past: When she was four years old she had been taken away from her mother by the canadian authorities, like many others. This is her very sad story as an example for many others.
This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
Manifesto of the Pataxó tribe, with the testimony of the chief José Guajajara, in front of the Monument to Estácio de Sá, where the Tamoios massacre took place in 1567, on the coincident day that celebrates the foundation of the city of Rio de Janeiro, 20 January.
This documentary short is an introduction to the Bella Bella (Heiltsuk) of Campbell Island, 500 km North of Vancouver on the Pacific Coast. Since the coming of settlers, these fishing people have watched their ancient Heiltsuk culture and their independence all but disappear. Today, in an energetic attempt to become self-sufficient, they are regaining both - successfully combining economic development with cultural revival.
Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.
A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.
A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.
In 1587, more than 100 English colonists settle on Roanoke Island and soon vanish, baffling historians for centuries; now, experts use the latest forensic archaeology to investigate the true story behind America's oldest and most controversial mystery.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.
Documentary film about the "zanja de Alsina", a long trench dug in the Argentinian Pampa in 1876 as way to separate the "civilized" from the "barbarians" during the massacre of indigenous peoples known as "campaña del desierto".
Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.
The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.
A documentary that tells the story of five American Indian artists, the Urban Indian 5 (UI5), and their unique partnership.
Following filmmaker Taye Alvis as he looks to reconnect to his community of Walpole Island First Nation. Taye will explore his relationship to Walpole Island, and how one can reconnect to their traditions and culture by way of conversation, arts, and recreation.