Funeral Bororo(1953)

Brechó Brasil(pt)

Hope Ways(pt)

Amid the 2019 drought in Brazil’s Northeast, Madalena loses her mother in a tragic event that changes her life. Alone, she joins a rebellion at the Grajaú farm in Canudos, where a community rises against government neglect. A violent State response turns their hope into sorrow. Later, journalist Júlia returns to uncover the truth, hearing from people like Lúcia, a grieving mother. As Júlia investigates, hidden stories emerge: Madalena's forbidden love with rebel João and Pedro's thirst for revenge after losing his father to political violence. Their paths cross in a tale of justice, pain, and redemption. Inspired by Ariano Suassuna, famed for "A Dog’s Will", this short film is a prelude to "A Pena e a Lei", created by 9th-grade students from Escola SESI Cambona, in Maceió, Brazil. It was screened at the SESI Festival of Art and Culture in July 2023, touching audiences with its emotional and socially conscious narrative.

Helena of Sarayaku(es)

Helena is 17 years old and studies in Finland. Her father, a Swede, and her mother, indigenous Kichwa of Sarayaku, live at the heart of the Amazon in Ecuador.

Almas Silenciosas(pt)

Los Monos de los Andes(es)

Lost Songs of Sundari(mr)

In Mumbai, once an island city linked by the sea, modern bridges and land reclamation have reshaped the landscape, disrupting the lives of its original communities.

A Última Sala(pt)

Timuti(iu)

In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.

Nowhere Land(en)

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

RÉVEILLON 2024 OU: O Cine-Monstro da Virada(pt)

A group of friends gathers to celebrate the end of 2023 and the beginning of 2024. Captured through a cellphone camera, the film showcases their various interactions while highlighting the artistic and cultural influences that shape their lives.

Land der Bitterkeit und des Stolzes(de)

A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

The Long Voyage of the Yellow Bus(pt)

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Monica in the South Seas(fi)

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

The Call of Fayu Ujmu(de)

A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.

Gerais da Pedra(pt)

Woven Songs of the Amazon(en)

The Shipibo-Konibo people of Peruvian Amazon decorate their pottery, jewelry, textiles, and body art with complex geometric patterns called kené. These patterns also have corresponding songs, called icaros, which are integral to the Shipibo way of life. This documentary explores these unique art forms, and one Shipibo family's efforts to safeguard the tradition.

Motherland Memories(id)

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Wandering Spirit Survival School(en)

Wandering Spirit School, organized by concerned parents, broke with tradition by introducing subjects that are of particular relevance to its pupils. Traditional Indigenous stories, traditions, languages and crafts balance the program of academic subjects required by the Ontario Ministry of Education. The experience of the children at Wandering Spirit is contrasted with the very different life experienced by their parents, educated in the old residential schools.

Migliaccio: O Brasileiro em Cena(pt)

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.