In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.
In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.
2021-04-30
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Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
On the Hokkaido frontier, a war veteran and Ainu girl race against misfits and military renegades to find treasure mapped out on tattooed outlaws.
In the 30th year, Nirasaki Den'emon established the Nirasaki Hokkaido Development Company with investment from Sonoi to build railway facilities. However, the endeavor faced criticism for attempting to buy Ainu land at low prices. Tokyo Nippo reporter Toshimasa Matsuzaka, who was actually Nirasaki's son, wants to expose the flawed practices of the company.
Kanto, 14, a descendant of Japan's indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.
Coinciding with the 40th anniversary of the birth of the iconic TV show La bola de cristal / The Crystal Ball, the documentary focuses on its creator, a woman ahead of her time, modern and courageous. Los poderes de Lolo looks at the impressions of her children, friends and work colleagues. Javier Gurruchaga, Kiko Veneno, Loquillo and Anabel Alonso, among others, remember what it was like to work in La bola with Lolo Rico, a woman who rebelled against the traditional role assigned to her by society.
The film explores the curious socio-psychological phenomenon of believing in witches.
Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it's free, you're the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.
Dying from diseases like ALS and Alzheimer's is a tormenting process. The diseases are on the increase worldwide. Aided by climate change and pollution, scientists believe a substance in the environment, produced by some of the smallest organisms on Earth is the culprit.This is a medical detective story, a hunt for the hidden killer, following scientist Paul Cox and his team on a worldwide quest to find a cure. The team believe they have found something...
In Kenya's Rift Valley province, giraffes have been reintroduced as part of a project, but animal rights activists, veterinarians and community representatives have to help the small herd when problems arise.
A behind-the-scenes look at how some of the visual effects were accomplished in the feature film Poltergeist (1982).
Karate, a forty-year-old woman without a relationship, contacts ten different women via dating apps from Tinder, OkCupid or Badoo and meets some of them to escape the desert of loneliness in this big city during post-pandemic times of crisis and learns a lot about life, complex relationship structures, loneliness and herself during these very different encounters.
A short about American life and history produced for the millennium New Year's Eve celebration.
The show, recorded on December 16 and televised on France 5 on February 5, provides a different perspective on the international pop star. For the performance, MIKA was invited by the sumptuous Royal Opera of Versailles and accompanied by the Symphony Orchestra of the Royal Opera of Versaille, conducted by Stefan Plewniak. Throughout the production, MIKA was joined onstage by prestigious guests such as the “Gospel for 100,” pianist Vincent Bidal, cellist Gautier Capuçon, classical guitarist Thibaut Garcia and countertenor Jakub Józef Orliński.
Dutch sisters, born on the same day but years apart, are separated by the Holocaust and raised in hiding by two very different families. They couldn't be more different but once reunited they form a bond that can’t be broken.