Out of Place(2022)

High Fidelity(en)

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

Sticky Carpet(en)

A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.

Violentas Mariposas(es)

A graffiti artist and a punk band singer meet amidst a profound social crisis. With revolutionary and idealistic visions for a fairer world, they bond over music and street art, using them as their weapons. Innocent and determined, they demand justice, but their defiance attracts the wrath of three corrupt policemen. After beating him and kidnapping her, they ignite the unimaginable fury of someone who has nothing left to lose.

P!nk: All I Know So Far(en)

A behind-the-scenes look at P!NK as she balances family and life on the road, leading up to her first Wembley Stadium performance on 2019's "Beautiful Trauma" world tour.

Dope, Hookers and Pavement(en)

"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.

Mile End Kicks(en)

In 2011 Montreal’s indie music scene, Grace Pine, a 24-year-old music critic who moves to the Canadian city to write a book on Alanis Morissette’s classic Jagged Little Pill album. But her plans take an unexpected turn when she gets romantically involved with members of an indie band for whom she serves as their publicist.

The Super8 Diaries Project(en)

Documentary based around performances of mostly Melbourne-based bands, including: My Disco! (Melbourne), Love Of Diagrams (Melbourne), Tucker B's (Sydney), Colditz Glider (Melbourne), Mukaizake (Perth), Aleks And The Ramps (Melbourne), Eddy Current Suppression Ring (Melbourne), Bang! bang! Aids! (Melbourne), Die! Die! Die! (New Zealand), The Tigers (Perth), Baseball (Melbourne)

Burn Gently(en)

BURN GENTLY is an exploration into the ins and outs of the music industry, its growth, pressures, expectations and its hardships, through the lens of Australia’s many influential artists, contributors and industry professionals.

We Are Bleach(en)

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Let’s Spend the Night Together: Confessions of Rock’s Greatest Groupies(en)

A documentary about the groupie scene in the 1970s.

Bad Animal(en)

Everything changes for a rising hip-hop star, SEMBRÉ, and his manager, MARLENE, a talented indie artist in her own right; as they are dealing with the collapse of their five-year romance, a new producer shows up with a major record deal, forcing them to confront their past while navigating the price of loyalty and fame in the underground Chicago music scene.

Los demenciales chicos acelerados. Pt 2: Barcelona y alrededores(it)

I Don't Believe in Anarchy(ru)

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

We're Livin' on Dog Food(en)

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

Pop in Reykjavik(en)

Popp í Reykjavík (Pop in Reykjavik) is a film about the vibrant Icelandic music culture of the late '90s. It was released in 1998 and features interviews and concert footage of promising Icelandic bands like Gusgus, Bellatrix, Maus, Ensími, Quarashi, Botnleðja and Sigur Rós.

MASSIVE: The amazing rise and fall(en)

Between 2000 - 2010 there was an underground music scene in South Wales that was unique and meant the world to those involved, but to the outside world, it didn't exist. Later the bands and artists who emerged from that scene would find acclaim and success, but before all that, they were young, passionate and a close community of friends who just dreamed about being MASSIVE Massive: The Amazing Rise and Fall is their story.... FRIENDSHIP. HYPE. LEGEND.

Akademija the Republic(sr)

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

Look Away(en)

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

Echo in the Canyon(en)

A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.

Thee Hypnotics - Soul Trading(en)

Thee Hypnotics were one of those late 80's / early 90's bands that dug deep into the roots of rock, filling the gap between alternative rock and metal with their retro-garage sound. Originally from High Wycombe, they set about tearing up the local scene before before spreading their disease across the UK, Europe, and beyond. Three parts loose 'n loud garage rock, one part grungedelic progpunk, Thee Hypnotics produced the kind of uplifting vibe that most of the big-league rock 'n rollers had lost years ago, and most of the newer bar-room gutter rock and tripped-out psyche revivalists could only dream of.