Filmed in Melbourne during the first several months of the COVID-19 pandemic, Sleeping Monster explores the prosaic beauty of King Gizzard & the Lizard Wizard’s studio routine. Featuring demos from the album "Changes", plus the track "Change" recorded live in the studio on film.
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.
Recorded in Auckland's Town Hall, this live concert features Marlon Williams' most adored tracks from the award-winning 'Make Way For Love' and his debut self-titled album.
We love rock ’n’ roll: well, it’s hard not to, with its sexy, totally exhilarating back story, and the way it continues to evolve and remain relevant. Almost 70 years after it burst onto the scene in the United States, the jury’s still out on who actually invented it. The truth is, rock ’n’ roll is a mash-up of genres that aligned at the perfect time, just as people emerged from the trauma of the Second World War craving a complete break from the recent past, and with money to spend.
Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.
It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.
The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.
SET 1 [7:32 - 9:00 PT] Shakedown Street > Cold Rain and Snow Mississippi Half-Step Uptown Toodeloo They Love Each Other St. Stephen 1 > The Eleven > Deal SET 2 [9:39 - 11:29 PT] Sugaree W New Speedway Boogie > Eyes of the World > Estimated Prophet > Drums 2 > Space > The Wheel > Wharf Rat E > Sugar Magnolia ENCORE [11:31 - 11:39 PT] Black Muddy River Key 1 with William Tell Bridge 2 with Oteil on Banjo Bass W Mayer playing Wolf Replica E Explicit Language Credit:/u/donttouchthatknob
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Young Rascals cover) Brown-Eyed Women (Grateful Dead cover) Jack Straw (Grateful Dead cover) High Time (Grateful Dead cover) Mr. Charlie(Grateful Dead cover) Bird Song (Jerry Garcia cover) (with elements of 'The Other One') (>) Don't Ease Me In (Henry Thomas cover) Set 2: Althea(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (> 'The Other One' (verse 2)) (>) Drums(Grateful Dead cover) (with Big Steve Parish) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Encore: Brokedown Palace(Grateful Dead cover)
Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)
Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)
With one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt burst onto the 1960s folk rock music scene in her early twenties.
In this music video a band's lead singer falls for a captivating diva in a world of superficial glamour. When she mysteriously disappears after a night of drinks, he must find solace with the help of his friends.
Live, documented at Chicago's Vic Theatre in April of 1996. 1 Thumbscrews 2 Fly On The Wall 3 Mailman 4 Destroy Before Reading 5 Thumper 6 Bloody Mary 7 Wheelchair Epidemic
Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.
London-based artist and photographer Muzi Quawson examines the lives of people situated at the fringes of the mainstream. She is drawn to individuals who tend to assert their identity via a blending of references informed by cinema, music and the history of popular culture. Doll Parts functions as a quiet study on the nature of identity.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
A special one-off late show featuring three original Nujabes collaborators: Shing02, Uyama Hiroto and SPINMASTER A-1.
After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.
Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster.