Niña... Amada Mia is a telenovela that premiered in 2003. It is a production of Angelli Nesma and the protagonists are Sergio Goyri and Karyme Lozano. Premiered in other countries, like in Greece in 2004 with the title 'Νίνα'. by repeating the 2005 and 2006.
Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.
Now in remission, Ander is set on spending his summer helping Alexis, his chemo partner, go through treatment.
La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.
A humble young woman allows herself be manipulated by her twin sister to replace her so she can leave with another man.
The realistic chronicles of a working class group of Hispanic youth, with heavy subject matter like sex, drug dealing, teen pregnancy, abuse, drinking, rape, deception, and heartbreak.
Dame Chocolate is a 2007 Spanish-language telenovela, which was produced by the United States-based television network Telemundo and aired from March 5 until October 5, 2007. This limited-run serial stars Génesis Rodríguez as a sweet, simple girl who leaves rural Mexico for Miami in the US to fulfill her destiny in the chocolate business. Elements of this romantic soap opera resemble Ugly Betty, the Tammy films, The Beverly Hillbillies and No Holds Barred. Lionsgate Home Entertainment and Xenon Pictures released a four-disc DVD set of Dame Chocolate in the US on November 27, 2007. The abridged version runs over 13 hours. It includes English subtitles and carries a TV-PG rating.
La Pícara Soñadora is a Mexican telenovela shown in 1991, based on a 1956 Argentine film of the same name directed by Ernesto Arancibia. This telenovela contains 80 episodes and stars Dina de Marco, Irán Eory, Eduardo Palomo, and Mariana Levy.
Mañana es para siempre is a Mexican telenovela that began airing on October 20, 2008 on XEW-TV, also known as Canal de las Estrellas. It is produced by the Televisa television network and is a production of Nicandro Díaz González. It stars Silvia Navarro as "Fernanda Elizalde", Fernando Colunga as "Franco Santoro and Eduardo Juarez" and Lucero as "Bárbara Greco" the main villain of the story. Its was one of the most popular soap operas in the history of Univision, its finale having been watched by over 11 million viewers, faring well against US mainstream shows. It is a remake of the 2007–2008 Colombian telenovela by RCN Pura Sangre, which starred Rafael Novoa, Marcela Mar and Kathy Saenz in the antagonic role.
Santa Diabla is the story of Santa Martínez, a woman who seeks revenge for the murder of her husband Willy Delgado.
The World in Your Home is an NBC Television TV series which aired from December 22, 1944 to 1948, originally broadcast on WNBT, NBC's New York flagship, then broadcast on NBC-affiliate stations WRGB in New York's Capital District and WPTZ in Philadelphia starting shortly after its premiere. The program consisted of educational short films. Each episode was 15 minutes long, and is believed to be one of the first television programs in the history of the NBC Television network. The series aired after I Love to Eat with James Beard in 1946, and after Campus Hoopla in 1947. Little else is known about the series.
3 middle aged men in a conflict with life about their wives, friends, children and everyday situations.
Samuel attempts a big, romantic gesture at the airport in order to persuade Carla not to board her flight to London.
La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.
Victorinos is a Spanish-language telenovela produced by the United States-based television network Telemundo. It debuted on June 23, 2009, replacing Sin Senos no hay Paraíso and concluded February 5, 2010. The telenovela is a remake of the 1991 RTI Colombia weekly series Cuando Quiero Llorar No Lloro, which in turn is based in the homonymous 1970 novel by Venezuelan writer Miguel Otero Silva. Ramiro Meneses, who is currently directing the Telemundo telenovela, starred as one of the Victorinos in the 1991 RTI series. The serial ran from Monday to Friday to run for over 26 weeks. As with most of its other soap operas, the network broadcasts English subtitles as closed captions on CC3. Ironically, this show was replaced by the original serial of the show, it had replaced.. Telemundo is currently re-airing the series at 12:30/11:30 PM slot
Host Joe Bob Briggs hosts B-grade flicks on the movie channel, giving background information about each one.
La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.
Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful