Xiao Chang Qing, Sun Qian Cheng and Chen Xin Cheng worked hard all their lives. After retirement, they finally got together and co-founded a warm retirement community. In the community, they solved problems that elderly people faced, and in the process, they recognized their own problems and reconciled with their family and with themselves
The Herbs is a television series for young children made for the BBC by Graham Clutterbuck's FilmFair company. It was written by Michael Bond, directed by Ivor Wood using 3D stop motion model animation and first transmitted from 12 February 1968 in the BBC1 Watch with Mother timeslot. There were 13 episodes in the series, each one 15 minutes long. A spin-off series entitled The Adventures of Parsley was transmitted from 6 April 1970 in the 5-minute period between the end of children's TV and the BBC Evening News. This had 32 episodes, some of which were released on VHS as Parsley the Lion and Friends. The Herbs consisted of a fantasy mix of human and animal characters inhabiting the magical walled garden of a country estate. At the beginning of each episode, the narrator spoke the magic word, "Herbidacious", which caused the garden gate to open. As with The Magic Roundabout, the sophisticated writing style and narrative delivery of The Herbs meant that the appeal was somewhat broader than was originally intended, and much of Parsley's droll humour undoubtedly went over the heads of the age group that was its main target. Consequently, it still retains a following among those who watched it when it was first broadcast.
Picking up where 'The New Scooby and Scappy Doo Show' left off. The main difference being that the team is now occasionally joined by Daphne Blake and friends to solve mysteries together.
An innocent pastrycook Melek gets accused of injuring an important politician's son. Her loving husband Ali wants to help his wife to escape from prison.
Al Jazeera Investigations exposes how the Israel lobby influences British politics. A six-month undercover investigation reveals how Israel penetrates different levels of British democracy.
When the owner of a shabby, soon-to-be-demolished villa in a run-down part of Seoul mysteriously dies, it sets in motion a chain of events that touches many lives. His son Oh Bok-gyu (Shin Ha-kyun), a struggling actor who was previously completely unaware of his inheritance, arrives to take possession of Apartment Number 201, only to find that rumors are swirling everywhere that his father has left a huge fortune of ₩50 billion in gold bars hidden somewhere in the villa — and that his father was murdered. As Bok-gyu navigates his way through the web of mystery surrounding his father's death, he encounters intrusive neighbors, oddball residents, a hardcore gangster and a beautiful girl — any of whom may have their eyes set on his money. When he meets orphaned, lovely Yoon Seo-rin (Lee Bo-young), he thinks that she's the girl of his dreams, but is unsure whether to trust her
Feng Qingchen is a sorceress of Mingyi Tower, the secret organisation tasked with protecting the royal family. Yuan Ling is a prince from Western Wei, a ruling kingdom during the Northern and Southern Dynasties. Yuan Zhan, the seventh prince, is Yuan Ling’s biggest competitor in both power and love. After getting to know each other, Feng Qingchen is impressed by Yuan Ling’s abilities and suppresses her feelings for the sake of seeing him ascend his rightful position. Despite Qingchen’s contributions to the kingdom, the court is vehemently against Yuan Ling marrying a woman who dabbles in black magic. Yuan Zhan launches a coup on the day of the wedding ceremony, and Qingchen uses her powers to reset the universe in an effort to prevent further bloodshed. Will Qingchen succeed to heal the rift between Yuan Ling and Yuan Zhan? Will Yuan Ling and Yuan Zhan be able to join hands and overthrow the corrupt officials, and eventually return peace to the land? Will the love between Qingchen and Yuan Ling prevail?
Three Japanese men in their thirties and forties are professionals working in law, dentistry and banking. These three men are close friends and they enjoy their lives as single men, but they begin to wonder about the merits or necessity for marriage.
La Carabina de Ambrosio was a variety television program broadcast between 1978 and 1987 presented as a Comic-Magical-Musical Show. It was produced by Humberto Navarro. It was hosted by figures such as Gualberto Castro, César Costa, Fito Girón and Manolo Muñoz. Some of the sketches of the broadcast were Guillo and the altar boy (Chabelo and the host in turn), La escuelita (Gualberto Castro, La pájara Peggy, Guillo, el Vulgarcito), the ventriloquist and Pujitos (César Costa and Chabelo), La Palabra Canta (Alejandro Suárez) and Mercado de Lágrimas (parody of Valle de Lágrimas and soap operas of the time) and parodies of the musical hits of the moment.
Called for a job interview, four candidates go through a dark, mysterious, brutal test to get the job.
After spending decades apart, the roommates featured in The Real World reconnect to find out how the series transformed their lives since the cameras stopped rolling, and they’ll discover, once again, what happens when people stop being polite… and start getting real.