Kimchi Cheese Smile (Korean: 김치 치즈 스마일; RR: Kimchi Chiseu Seumail) is a South Korean sitcom revolving around the life of a kimchi-like (having a popular & conservative thought) family headed by Shin Goo who are to become in-laws with Sunwoo Eun-sook's cheese-like (rich & stylish class) family. With contrasting classes and family values, the sitcom follows these two families through various events of their lives.
Shin Yeon-ji (Adult)
In 1930 and as a young child, Tsuneko Kohashi lives at Enshu in Shizuoka Prefecture. She has a happy life with her parents and two younger sisters. Things change after her father dies from tuberculosis. Her father asked Tsuneko Kohashi to take care of the family in his place. Due to financial difficulties, her mother Kimiko decides to move the family to Tokyo where Tsuneko's grandmother lives.
All the men she has dated while living in Tokyo have been married. Tired of love and life in Tokyo, Koharu Maezono (Haruka Shimazaki) returns to her hometown. There, she learns that her father has fallen ill and the coffee shop Lupin, which her parents run, has been forced to close due to massive debts!
Captain De Santis does not only carry out peace-keeping operations; he is also looking for the truth behind his father's disappearance in the zone. When he starts untangling a scandalous plot of corruption and death, where pharmaceutical companies, secret services and terrorists are involved, he becomes a target.
Bodies is an award-winning British television medical drama produced by Hat Trick Productions for the BBC. Created by Jed Mercurio, the series began in 2004 and is based on his book Bodies. In December 2009, The Times ranked Bodies in 9th place in its list of "Shows of the Decade". The Guardian has ranked the series among "The Greatest Television Dramas of All-Time".
Yuna Kagurazaka, a clumsy and sweet sixteen year old girl, had her life drastically changed when she won an intergalactic contest for the person with the purest heart. Now, she is an intergalactic superhero and magical girl known as the Savior of Light. She pilots the mecha El Line to maintain the peace of the universe. But Yuna’s entire world is shaken when she is wrongfully accused of destroying a city with El Line. She is captured and taken prisoner by Misaki Ichijouin, a special agent from the Galaxy Alliance. However, Misaki soon realizes that she has been deceived, and teams up with the rest of Yuna’s friends to free the Savior and save the galaxy before an evil force is restored to power.
Thorn, a college student, reconnects with former player Tupfah, developing feelings while encouraging him to return to basketball.
A young wrestler is found dead, and the wrestling team's coach, Lars, becomes a suspect. Lars and Charlotte's shaky marriage is put to the test and all secrets must come to light in order for them to trust each other again.
Karma is a 25 part Indian weekly superhero-fantasy television drama aired on STAR Plus from August 27, 2004 to February 11, 2005 on Friday nights. Karma, directed by Pawan Kaul and written by Subodh Chopra, involves the battle between good and evil as the titular superhero faced off against demonic evil. The main cast of the show was Siddharth Choudhary in the titular role of Karma, Riva Bubber and Tinu Anand. In 2007, the drama was re-aired on STAR Utsav.
Meet Peg, a curious and spunky preschooler, and her feline companion, Cat, who will rely on math "to tackle social and relationship issues and everyday problems like cleaning up a messy bedroom," Rotenberg says. Some of their dilemmas may be zany — like how to get 100 chickens back into their coop or how to feed a horde of hungry pirates with just one banana — but it's all solvable via mathematics and a zippy song.
18 Stone of Idiot is a British television programme broadcast on Channel 4 in 2005 designed as a vehicle for Johnny Vegas and produced by Chris Evans. The first show was broadcast on 27 May 2005 and a further five episodes were broadcast weekly thereafter. Vegas' stated intention was to make a programme "so ridiculous that there was no way they'd recommission it." Each show had one primary guest whom Vegas interviewed, and who were further involved in various stunts and skits.
Kirby Jenner shows us his reality as a member of the world’s most famous family.
AIR FARCE was one of the most popular and enduring sketch comedy troupes in Canadian history, skewering Canadian politics, current affairs, and pop culture. What began as a topical stage revue in 1970, morphed into THE ROYAL CANADIAN AIR FARCE in 1973 with Don Ferguson, Luba Goy, and the late Roger Abbott, John Morgan, and Dave Broadfoot. The troupe went on to decades of success, including a CBC Radio series (1973-1997); a weekly CBC TV series (1993-2008); the annual AIR FARCE NEW YEAR’S EVE special on CBC Television (1992–2019); national concert tours; live stage productions; books; and home audio and video releases.
Who would kill for the perfect body? And what happens when a “hot” body turns up cold? In the new three-part series, KILLER BODS, Investigation Discovery explores what happens when fitness gurus, body building experts and aerobics instructors turn from their diets and instead, turn deadly.
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.