
Behind the scenes access to Greater Manchester Police and their efforts to tackle organised crime. Offering insight into the frontline battle one police force to battle against organised crime including kidnapping and drug and people smuggling.



Heng's dull love life turns chaotic as his boss Kongdech, roommate Mo, and childhood friend Chicha confess their love, leaving him in a whirlwind of emotions.

A woman decides to become a "pre-paid" prostitute to raise the required money for a surgery to increase her breast size, and that way, change her poor-life-style, her present and her future.

The gorgeous and charismatic Bo is a supernatural being called a succubus who feeds on the energy of humans, sometimes with fatal results. Refusing to embrace her supernatural clan and its rigid hierarchy, Bo is a renegade who takes up the fight for the underdog while searching for the truth about her own mysterious origins.

The further life of the protagonist Caterina Schöllack and her three daughters will be traced, who fight in the restrictive period of the 1950s for emancipation and the realization of their own dreams. Monika, Helga and Eva have grown up and each seeks their way to find their way in the rigid society of the late 1950s. Monika and Freddy have a career in show business, and mother Caterina acts as a manager. Meanwhile, Helga works hard to be the perfect housewife and mother for Monika's daughter Dorli. Eva, however, quarrels with her life as a professor's wife.

Julien's been dethroned, but loyal friends and some very unlikely allies will propel the lovable lemur on a colorful journey to take back his kingdom.

La Tormenta is a Colombian 2005 telenovela produced by RTI Colombia and broadcast by Telemundo and Caracol TV, starring Natalia Streignard and Christian Meier. Maria Teresa is a woman accustomed to living in the city, but she has to move to live at ‘La Tormenta’, her family’s estate, to try to save her family from financial ruin. The family is facing economic problems and she thinks La Tormenta will save them from bankruptcy.

Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.

A beautiful and intense tv show about finding and holding on to love. Nur, a simple woman from countryside goes to Istanbul and finds what she expected the least; love.

When two brothers fall for two sisters, they quickly realize the age differences between them are too big to ignore.

Postcards from Buster is a children's television series for children aged 6–12, containing both animation and live-action that originally aired on Public Broadcasting Service. It is a spin-off of the Arthur cartoon series. The show stars Arthur's best friend, 8-year-old rabbit Buster Baxter. Inspired by a 2003 episode of Arthur entitled "Postcards from Buster", the television series was produced by Cinar and Marc Brown Studios. It first aired October 11, 2004, on PBS Kids Go!. Buster's interests include eating anything, reading comic books, and playing video games. Buster's personality is that of a fairly intelligent and curious child. He also believes that extraterrestrials are real. Buster's parents are divorced; in this series, Buster is seen with his father, Bo Baxter.

Pasión Prohibida is a Spanish-language telenovela produced by United States-based television network Telemundo Television Studios, Miami. It is a remake of the Turkish telenovela Aşk-ı Memnu by Ece Yörenç and Melek Gençoğlu. It has been adapted from Halit Ziya Uşaklıgil's novel Aşk-ı Memnu, published in 1900, but takes place in the modern-day Miami, instead of the novel's late 19th century setting. Jencarlos Canela and Mónica Spear starred as the protagonists.

Fahmai moved into Arthit's house after her parents died. She knew she was going to get kicked out of the house so one day, she set up a plan to get Arthit into bed. Instead, Arthit stormed out of the house and got into an accident. He survived but his hate for her grew. She was sent abroad for 4 years then 4 years later, she returned because she made a promise to his parents. She thought time will heal all wounds but that wasn't the case, instead, it intensified even more.

During an experiment gone bad, radiation turns a scientist into a raging green behemoth whenever he becomes agitated. Unable to control his transformations, David Banner searches for a cure as he crosses the country, fugitive-style, with a dogged tabloid reporter on his trail.

La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.

Al Diablo con los Guapos or is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Argentinian telenovela Muñeca Brava. Allison Lozz and Eugenio Siller starred as the protagonists, while Cesar Evora and Laura Flores starred as the antagonists. From October 8, 2007 to June 6, 2008, Canal de las Estrellas broadcast Al diablo con los guapos. From January 21 to September 19, 2008, Univision broadcast Al diablo con los guapos.

Aside from doubling the length of each episode, The New Scooby-Doo Movies differed from its predecessor in the addition of a rotating special guest star slot; each episode featured real-life celebrities or well known fictional characters joining the Mystery, Inc. gang in solving the mystery of the week. Some episodes, in particular the episodes guest-starring the characters from The Addams Family, Batman, and Jeannie, deviated from the established Scooby-Doo format of presenting criminals masquerading as supernatural beings by introducing real ghosts, witches, monsters, and other such characters into the plots.

An opulent behind-the-scenes look at some of Britain's most luxurious hotels, as the staff cater to their guests' every desires during such unprecedented times for the hospitality industry

Koi is a young woman who has grown up in a rubber tree plantation her entire life, and now has dreams of improving it. Unfortunately, the powerful millionaire who is the plantation's creditor has plans to seize it for himself, but Koi refuses to allow that to happen. Trin is a young businessman who owns a rubber mattress factory and makes an offer to buy her family's plantation. Because Koi has no intention of letting anyone take her plantation, the two enter into a rivalry.

Sukeban Deka II in 1985-1986 starred Yoko Minamino as the second "Sukeban Deka", a mysterious girl with an iron mask named Yoko Godai who takes on the identity of Asamiya Saki after being freed from her mask; She will get the help of two other sukeban: Kyoko "Okyo" Nakamura (Haruko Sagara), and Yukino Yajima (Akie Yoshizawa, from jpop band Onyanko Club which will appear in two episodes).

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.