Born Different(2017)
Recommendations TVs
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Nadia feels conflicted about whether or not to see her long distance boyfriend, Guzmán, when she returns to Spain for her sister's wedding.
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Dong-Gyu (Lee Chun-Hee) works as a prosecutor, but he always loses his cases. He doesn't like his job and always carries his resignation with him. One day, Dong-Gyu attends his high school reunion to meet Chang-Ho (Park Sang-Wook) who was his hero back then. Chang-Ho though does not appear. Dong-Gyu is assigned a bank robbery case. He meets the suspect in the interrogation room and is stunned to see Chang-Ho.
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Nanaroscope ! (fr)
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...And Mother Makes Five is a British sitcom that aired on ITV from 1974 to 1976. Starring Wendy Craig, it is the sequel of ...And Mother Makes Three and aired for four series. ...And Mother Makes Five was written by Richard Waring, Brian Cooke and Johnnie Mortimer. Wendy Craig also wrote some episodes under the pseudonym Jonathan Marr. It was made for the ITV network by Thames Television.
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Once An Eagle is a 1976 nine-hour American television mini-series directed by Richard Michaels and E.W. Swackhamer. The picture was written by Peter S. Fischer and based on the 1968 Anton Myrer novel of the same name. The first and last installments of the seven-part series were each two-hour broadcasts, while the interim episodes were 60 minutes. The mini-series concerns the thirty year careers of two military men, from the outbreak of World War I to the aftermath of World War II.
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A History of Britain (en)
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.
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