Parergon(2022)

Beatrix Farrand's American Landscapes(en)

Garden designer Lynden B. Miller explores the life and career of Beatrix Jones Farrand (1872-1959), America's first female landscape architect.

Untitled (Pink Dot)(ja)

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

to boyhood, i never knew him(en)

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

Não-Martírio(pt)

Pensei em Você Anteontem(pt)

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

A Common Sequence(en)

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Delírio Primaveril(pt)

Tierra en Trance(en)

These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks. percussive woods. Here the audiovisual diagram that guides us, the kinetic breath that inspires us, the serpentine spear that snatches us away, the agitated plumes that trembles at us are the sound and rumbble of Teponaztli, a Mesoamerican percussive instrument: serpentine, dancing, bouncing sticks, trunks, branches and wood. Kinetic and audiovisual serialism from the embers of the Earth. This is the Earth in a Trance.

Riopelle était non-binaire(fr)

Through an imagined dialogue with Jean Paul Riopelle, this experimental film updates the painter's legacy by seeking to build bridges with today's generation. Part homage, part self-portrait, this short film is above all an intimate reflection on the courage to be oneself.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Cumulonimbus(en)

A 1970 projection of what may come when pollution over powers nature.

As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento(pt)

Animot(cs)

The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.

From a distant time.(en)

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

Prometheus(en)

“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage

Logistics(xx)

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Ten Lives of a Cat: A Film about Chris Marker(en)

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

Aurum iter(pt)

Aurum Iter is a cinematic journey that delves into the depths of the visual and sonic, challenging the boundaries of traditional storytelling. Inspired by the minimalist essence of "Koyaanisqatsi", the short film invites viewers into a unique sensory experience where King Crimson's music intertwines with the visuals. Without dependence on words, the film reveals the fascinating interaction between humanity, exploring the intrinsic beauty and complexity of the world around us. As the visuals unfold before the viewer's eyes, an invitation is issued to contemplate society's impact on humanity and our never-ending quest for harmony with the environment. In Aurum Iter, I invite viewers to a poetic meditation on life, the interconnectedness of all things, and the urgent need to preserve the delicate balance between man, nature, and the body itself.

How I'm Goin' Public(en)

A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.