Documentary about WWII propaganda cartoons.
Self
Self
Self
Documentary about WWII propaganda cartoons.
1997-01-01
0
On August 6, 1945, the first-ever nuclear bomb deployed in war was dropped on the city of Hiroshima Prefecture, leaving an estimated 140,000 dead in its wake by the end of that year. Among the victims, one particular age group stands out for the sheer number of fatalities sustained: 12 and 13 year-olds, children of first year junior high school age. We investigate the tragedy of this lost generation, piecing together surviving records and speaking with survivors, for whom the memories of children robbed of their futures that day are still burned deep in their memories, nearly eight decades on.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.
On September 11, 1929, the first Termez-Dushanbe train arrived at the newly built station in the Tajik capital. However, not only the train was the first that day - the shots of the arrival of the locomotive, as well as people waiting for it with excitement, became the basis of the first Tajik film.
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
A film about a district in Buda, which to this day cannot face the inconceivably cruel crimes committed by its former inhabitants.
After the capture of Shanghai, Japanese soldiers make a trip to Suzhou.
Events that took place in the capital of the Tajik SSR, the city of Dushanbe in 1929.
A documentary film about the internment of Japanese Americans at Heart Mountain, Wyoming during World War II. The program, hosted by Jan Yanehiro, proceeds in part as a series of interviews. It also includes archival film footage of Heart Mountain and Japanese Americans during World War II, as well as present day footage of the Heart Mountain landscape.
Engineer Dr Hugh Hunt revisits the little-known story of the First World War's Blitz, when the Zeppelin waged an 18-month terror campaign on the people of London.
The 'mighty' Hood was the pride of the British Navy for more than 20 years, revered around the world as the largest and most powerful warship afloat. But when it was sunk by the German battleship Bismarck off the coast of Greenland on 24 May 1941, its end was shockingly swift.
British intelligence undertook an audacious operation to listen in on the private conversations of 10,000 German prisoners of war without their ever knowing they were being overheard. The prisoners' unguarded reminiscences and unintentional confessions have only just come to light, and prove how closely the German army were involved in the atrocities of the Holocaust. British intelligence requisitioned three stately homes for this epic task, and converted each into an elaborate trap. The 100,000 hours of conversation they captured provided crucial intelligence that changed the course of the war, and revealed some of its worst horrors, from rape to mass executions to one of the earliest bulletins from the concentration camps. But when the fighting ended, the recordings were destroyed and the transcripts locked away for half a century. Only now have they been declassified, researched and cross-referenced.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)