Life was sweet for warden Sharon Kane and her "Head Dyke" Raven Richards... for a permanent stable of caged women burning with desire! "The Breakout" threatens to blow the lid off! Three of the sexiest inmates crash the prison wall, burning with desire and desperate to be free! Will they find the freedom they so desperately desire or will they be captured and sent back to Warden Kane for punishment? The story continues...
Traveling to Osaka, Gonzo sees a dead woman inside a small house, but when he investigates, he finds she's not dead after all, and everything becomes a strange game of fun and desire.
This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.
The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.
Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.
The TV presenter crosses the Atlantic to visit the martial arts star at his home in Arizona. He investigates Seagal's many interests outside of the cinematic arena, including Buddhism, blues music, animal rights and environmental issues, and takes a behind-the-scenes look at his new TV series Southern Justice.
Based on the story of Leonid Andreev. St. Petersburg, 1905. A poor student moves to the estate of a wealthy aristocrat to become his son's teacher, and tries to unravel the crazy secrets that the owner of the house keeps.
The film is based on real events and tells about a major accident that occurred during the construction of another Leningrad metro station in the spring of 1974.
You won’t find the name Patrick Q.F. Barr on any leaderboard. But he is a golfer worth knowing nonetheless. His course is lower Manhattan, his clubs are borrowed and his balls are… well, they’re milk cartons stuffed with newspapers. In this 30 for 30 Short directed by Christopher Andre’ Marks, you’ll hear the story of “Tiger Hood” in his own words—about how golf saved him from despair and helped people recognize his other talent, photography. Truer words were never spoken than when Patrick says, “Don’t cry over spilled milk.”
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.
Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.
It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.
Esther and her sister Jennifer have just taken a remote country cottage. But there is strange gossip about the previous occupants.
An essay-film on language and theater, on human communication - intellectual in content, but purely poetic in terms of form: image, sound, language, cinema. Stagefright, with the exception of one shot, was all filmed in a small puppet theater space, actors against black.