
This superb programme looks at the GWR God s Wonderful Railway as it was in the 1950s and 1960s and more recently. Archive scenes capture the true essence of the GWR with its Brunellian stations and station platforms, engines, lines, freight yards and engine sheds. We can enjoy magnificent engines including some of the Castle and King Class that were turned out at Swindon. These include the 4079 Pendennis Castle, 5029 Nunney Castle, 7020 Gloucester Castle, 6000 King George V, 6024 King Edward I and others that have since ended up at the cutters. We also see engines that have been used on these lines of late including the Eurostar, Intercity 125s, the high speed trains on the Heathrow Express Service, ARC stone trains as well as single, two-and three-car units. And our look at the GWR wouldn t be complete without a visit to preserved lines including the Taff Valley Railway and the Cholsey and Wallingford Railway.

This superb programme looks at the GWR God s Wonderful Railway as it was in the 1950s and 1960s and more recently. Archive scenes capture the true essence of the GWR with its Brunellian stations and station platforms, engines, lines, freight yards and engine sheds. We can enjoy magnificent engines including some of the Castle and King Class that were turned out at Swindon. These include the 4079 Pendennis Castle, 5029 Nunney Castle, 7020 Gloucester Castle, 6000 King George V, 6024 King Edward I and others that have since ended up at the cutters. We also see engines that have been used on these lines of late including the Eurostar, Intercity 125s, the high speed trains on the Heathrow Express Service, ARC stone trains as well as single, two-and three-car units. And our look at the GWR wouldn t be complete without a visit to preserved lines including the Taff Valley Railway and the Cholsey and Wallingford Railway.
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8.0When the first railroads were built some two hundred years ago, they brought about a revolutionary change for mankind, linking cities and countryside, driving the industrial revolution and irrevocably changing the landscape: a history of the railroad from its beginnings to the present day.
6.8In this travelogue, actor David Suchet journeys across Europe aboard the world famous Orient Express train, as he prepares to play Poirot in an adaptation of Agatha Christie's "Murder on the Orient Express".
0.0First transmitted in 1979, this programme looks at the Rainhill Locomotive Trials in Rainhill, Lancashire (now Merseyside) in 1829, a competition to find the best passenger steam locomotive in Britain.On the 150th anniversary of the trials, replicas of its famous winner - Stephenson's 'Rocket' - and two of its competitors are rebuilt by modern day designers, and the trials are reconstructed in Hyde Park.
0.0This program featuring rarely seen archive footage offers a glimpse into British Railways and Britain's Railways as it recalls how things have changed from the 1950's and the glory days of steam to recent times. We see the dramatic changes that have happened with the elimination of steam pre- and post-beaching closures, and the loss of freight traffic to road haulage.
0.0This fascinating program visits the LMS, the largest railway company in the British Isles that served the heartlands of industry of the Midlands, the shipping of the Manchester Ship Canal and the River Mersey, the holiday resorts of the North West coast as well as North Wales and Scotland. We see the significant changes within this operator between the age of steam and the modern railway.
0.0Follows a group of navvies as they work on completing the last great railway through the Swedish wilderness.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
0.0Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.
6.0A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.
0.0A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
5.0The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.
0.0A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.