Shooting VS Shooting(2011)

Persecution Blues: the Battle for the Tote!(en)

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

No Time to Fail(en)

Amidst an onslaught of attacks from a sitting President and the deadly threat of a global pandemic, local election administrators work around the clock to secure the vote for their community. Rhode Island’s election teams take center stage in this unprecedented voting adventure.

Malvinas: Stories of Betrayals(es)

Malvinas, history of betrayals is an Argentine-Mexican co-production documentary film directed by Jorge Denti from a script by Irene Selzer and Alberto Adellach.

The Bubble(en)

Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?

Camilo: The Long Road to Disobedience(de)

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Propaganda Message(en)

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

Entretien politique : Histoire et mode d'emploi(fr)

Standard Operating Procedure(en)

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

My Best Fiend(de)

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Search and Seizure: The Rise of Insurrection(ko)

The film follows the 2023 raid by the Seoul Central District Prosecutors' Office on investigative outlet Newstapa. Director Kim Yongjin, its former head, traces a pattern of political prosecutions against critical journalists—from reports on Yoon Suk-yeol to Cho Kuk and Kim Keon-hee. Combining on-site footage, journalist testimonies, and legal records, the film reveals how special funds were used to pressure the media, silence dissent, and manipulate public opinion. It is a powerful reminder of the ongoing struggle to protect press freedom and democratic values in South Korea.

The Ross Perot Myth(en)

An enduring myth in U.S. presidential election history is that George H.W. Bush only lost his re-election bid in 1992 because a peculiar independent candidate from Texas, Ross Perot, drew more voters away from Bush than from Democratic candidate Bill Clinton. Perot ran a quirky "outsider" campaign that in many ways presaged the Donald Trump phenomenon of 2016. It all amounted to one of the most successful third-party bids in U.S. history; Perot won 19 percent of the popular vote.

Ratamata(en)

A portrait of the diverse opinions of Chicagoans as they reflect on the general state of affairs in America, the war in Vietnam, social and racial conflict, freedom and personal liberty, happiness, and social justice. Ratamata was made by future Tom Palazzolo collaborator Kreines when he was 16 years old, and was an award winner at the Young Chicago Filmmakers Festival.

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Boys State(en)

This raucous journey into the heart of democracy captures an unusual rite of passage: 1,100 teenage boys from across Texas coming together to build a representative government from the ground up.

Influence(en)

Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger.

Joe Louis: America's Hero Betrayed(en)

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

The Final Year(en)

Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.

Barbershops Uncut: East Coast(en)

A raw and uncensored look at what really goes down in urban barbershops.

You Can't Kill Meme(en)

A hybrid documentary feature film about the genesis of "memetic magick" and its application by the alt-right in the United States.

News Without A Newsroom(en)

As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.