Fright(1998)

The Art of Crying(zh)

Jennifer is a professional crying initiator, she helps people who can't cry in order to express their feelings. One day she has a young female client, Faye. Jennifer seduces Faye and they embark on a relationship till Faye finds out that Jennifer has a husband and a young daughter.

Solos(zh)

People in Cars(sv)

Everyday conversations inside cars about love, relationships and mistakes.

The Dangerous Stranger(en)

In this film, a police officer tells children about the dangers of accepting rides or presents from strangers, and relates the unfortunate stories of several children who did and were never seen again.

Under(en)

Kerry is a train driver and on sick leave due to a trauma at work. While roaming the train network to make sense of her tragedy she meets a man who understands her and knows what she needs.

Quand elle tombe(fr)

J'ador(it)

Rome. Claudio is 15 and wants to be part of the clique. He admires the 18-year-old leader Lauro. If he wants to fit in, he has to lose his little boy smell and learn to smell like a man.

The Plague(en)

Rosa's father escapes from a nursing home and comes back to his former house. He hides a secret, and he's not coming alone.

Ends(en)

A bickering mother and father take their daughter to visit her estranged grandmother. Isolated, the grandmother has grown ill; suffering from a worsening paranoia of imminent alien invasion. The young girl and the grandmother form a bond as the parent's fight about how best to handle the situation.

"BUDKA" by George Alshevskij-Jones(en)

Shot entirely on a webcam and guided by the Imperfect Cinema philosophy, this film captures the drunken drift of a man reaching for connection in a cold, indifferent city. What unfolds is either a dream, a dying vision, or both. Then — reality returns with a quiet whimper. Life moves on. Raw, lo-fi, and unapologetically rough, this is a meditation on how easily the world forgets. Meaning is left open; interpretation belongs to the viewer.

For a Few Moments(en)

A troubled corrections officer pays a visit to a man he’s never met to request he cook a last meal for his ex-girlfriend on death row; one that will kill her before her execution the following morning.

Before One More Day(pt)

One family suffers from the death of their mother and wife. Amid the suffering, each one seeks a way to deal with the loss and Mariana, the eldest daughter, tries to pick up the remaining pieces of her family.

My Baby(en)

When the double wedding takes two daughters away from the old man at once, the youngest, now the only one left, in outraged spirit promises never to leave her father, but soon she too is departing for a new home. Then comes a cold hard fact of life. The son-in-law claims his right to make a home alone for his wife. In his bitterness and anger, the father denies them both the house. Several years later the lonely old man meets at the gate a babe in arms. When he learns whose baby it is, heart hunger craves another sight, and sought, brings with it the only natural result.

Kernel(en)

When the world has been pushed past breaking point, an aging neurobotanist collects and preserves what little of value remains.

Judgement(ko)

At the identification of a dead body, a couple and a morgue employee both claim to be related to the deceased, and therefore the rightful recipient of an indemnity of at least 520,000.

America(el)

A man sees a poster of an old movie that he claims to have acted in

A Family Portrait(es)

When Sergio’s little sister asks him for the definition of sex, he revisits a memory from years ago, in which he discovers a secret in his family.

Broken(sq)

Jani Budi, 60s, after serving a sentence, was released from prison in Ancona and embarks on a ship to return to his country of origin, Albania. Arriving in Tirana he discovers the shocking truth: his wife died shortly after his arrest, and his son, Andi, has become politically corrupt. The film is a combination of drama and comedy that scans Albania today and human relations.

The Circle(tr)

The film is showcasing the discrimination and violence faced by Ezidi Kurds (Yazidis) due to their religion, in a symbolic event which took place between primary school children in Turkish part of Mesopotamia. This fiction film is inspired by true events in the region, performed by 39 local Kurdish children of Hasankeyf villages and shooted in Hasankeyf, an ancient city, which is planned to go under water in 2017 by Ilisu Hydroelectric Dam.