A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.
Moncef
Esposa Mulie
Kassim
Ibrahima
Lami
A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.
1990-10-05
5.1
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
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Two young children and an adult in a small town have an encounter with an alien spaceship. 25 years later the children are reunited as adults in the same town which is now beset by strange cattle mutilations. Matters become worse when the cattle mutilations are joined by human murders and mutilations.
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.
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