Poprask na laguně(1958)

Tartuffe ou L'Imposteur(fr)

Tartuffe, a hypocritical man confided in false devotion, monopolizes the confidence of Orgon, a wealthy bourgeois and undertakes to seduce his wife Elmire. Having been unmasked by the latter, he strives to precipitate the ruin of his benefactor.

Je préfère qu'on reste amis(fr)

Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.

Le Placard(fr)

François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.

You Can't Take it With You(en)

A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family.

Un point c'est tout !(fr)

Bene mio e core mio(it)

Tailleur pour dames(fr)

Men Ready for Anything(el)

In a provincial town, a group of men, beset by numerous financial problems, decide to solve them in an original way. Desperation leads a café owner, a taxi driver, a municipal employee, a baker, and a student to become strippers! Their paradoxical choice to earn money by dancing naked disrupts their lives, the small town where they live, and their wives...

Na letním bytě(cs)

Veronští šlechtici(cs)

Le Coup de la Cigogne(fr)

Un drôle de père(fr)

Popel a pálenka(cs)

The eccentric colonel's wife decides to take her recently deceased husband's urn home from the cemetery, which gives her essentially kind but otherwise terrible descendants an idea of how to get their hands on their father's not-so-small inheritance. However, because they lack the ingenuity and thoroughness (which, incidentally, their mother excels at) to carry out their plan in complete secrecy, everything ends in disaster...

See How They Run(en)

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

Les Amazones(fr)

Der Blunzenkönig(de)

'The Blunzen King,' a long-established master butcher in a rural idyll, sees time-honored traditions and his son Franzl's envisioned future in jeopardy when Charlotte, a vegetarian from the city, enters Franzl's life. Values ​​are turned upside down, arguments ensue, and then reconciliations are made – after all, 'if you don't move with the times, you'll be left behind!'

Les Fourberies de Scapin(en)

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

The Sofa(fr)

In a supermarket, in the sofa section, director Fabien Romains comes to choose the sofa that will be the main feature of the set for his next play. Priscilla Gabor, his ex-wife, who stars in the play, insists on deciding for herself which sofa she will rest her buttocks on. Edouard Le Tellier, the play's author and producer, and the actress's current husband, pretends to be interested in the debate. Finally, Olivier Leblanc, the salesman, who has always dreamed of acting, sees these visitors as a chance to promote himself.

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Láska ke třem pomerančům(cs)