Silent, b&w, 35 mm.
Silent, b&w, 35 mm.
1911-01-01
0
A fashion concept film featuring six looks developed and designed by award-winning SCAD Fashion Designer Sarah Holman. Fears, anxieties, and mysteries manifest as ghosts withholding a future from a distraught Ingenue. She must fight these self-inflicted demons to gain the freedom she has all but forgotten.
The tenth film from Shahriar Hanife's series of experimental etudes, an Iranian researcher.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.
A tribute to the legendary game, this short showcases Skull Kid’s dark origin story. Our take on how the Zelda Universe could be realized in film. A labor of love for all those involved, this is a gift to the fans.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.
A recent widow's life changing experience when her useless husband returns from the grave.
During the first lockdown of the Covid-19 pandemic, filmmaker Danielle Arbid becomes obsessed with a mysterious girl she sees from the window of her apartment in Paris. Shot from her cellphone, better watched vertically, Outiside is the gripping short film that tells the story of what happened next.
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.
Insecure and balding Leo has closed himself in his apartment to try a hair growth liquid for fixing up his looks. As Leo tries to get his bodily changes under control the evening quickly turns into chaos.
When Maia, a mixed race Latina woman, sets out to reconnect with her traditional Mexican roots on her Nana's 100th birthday, things go terribly wrong.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.