When the Century Took Shape (War and Revolution)(1978)

Gonzalo Suárez: Sam Peckinpah, director salvaje (TV)(es)

Ocharcoaga(es)

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Goya(it)

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

I Was, I Am, I Will Be(de)

In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.

Dear Chantal(es)

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Blueberry Soup(en)

Following a national crisis, the citizens of Iceland rallied together to collectively write the first ever crowdsourced constitution. A deeply touching account of an eclectic group of individuals reinventing democracy through the rewriting of the nation's constitution, proving that Iceland is not a broken country but instead an intricate web of concerns, ideas, and ultimately creative solutions.

JFK Revisited: Through the Looking Glass(en)

Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F. Kennedy, which took place in Dallas on November 22, 1963.

Interview with Robert Kramer(en)

This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.

People Unite!(en)

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

The Anti-Vax Conspiracy(en)

Who are the people behind the international anti-Covid-vaccine movement and why are they doing it? This journey inside the astonishing world of the anti-vaxxers finds out.

-22.7°C The Far North Musical Experience(en)

The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Birds Changed Names And The World Turned Into Ice(es)

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

The Hills of Qaytariyeh(fa)

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

Wales(en)

Wales prides herself in her wealth of natural resources, foundries, mills, and factories. Beyond this modern facade lies another treasure—a rich historical background and ancient lore. The great granite fortresses still remain as reminders that from the struggle and strife was born a pure and distinctive national culture.

Guerrilla de la Comuniación: uno de cada diez dentistas recomienda chicles con azúcar(es)

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.