César Awards, de Caunes Era(2022)

François Truffaut: My Life, a Screenplay(fr)

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Jacques Rozier: From One Wave to Another(fr)

Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

Jacques Demy: The Pink and the Black(fr)

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

The Image Book(fr)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Claude Chabrol, the Maverick(fr)

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

The Colour of Words(fr)

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

Jacques Tati, tombé de la lune(fr)

The crazy rise and fall of Jacques Tati, comedy genius, actor, director and athlete of laughter. Or how the inventor of the mythical Mr. Hulot made France laugh, then the world, flying from success to success, rising higher and higher, until he came a little too close to the sun.

Truffaut / Godard, scénario d'une rupture(fr)

An inquiry into two of the most influencial French filmakers friendship and feud.

Rock and Roll Hall of Fame Induction Ceremony(en)

The 29th Annual Rock and Roll Hall of Fame Induction Ceremony took place on Thursday, April 10, 2014 at Barclays Center in Brooklyn, New York. The 2014 Ceremony was open to the public, as it had been for the Induction Ceremonies in Cleveland (2009, 2012) and Los Angeles (2013). This was the first time that the event was held in New York. With performances by Peter Gabriel, Hall and Oates, KISS, Nirvana, Linda Ronstadt, and Cat Stevens.

Bernard Blier, façon puzzle(fr)

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

Les 100 vies de Francis Blanche(fr)

Comedian, actor, author, director and emblematic figure of the French stage and cinema of the 50s and 60s, Francis Blanche liked to change register, moving from radio to writing to television and cinema, living more than "hundred lives".

Nicole Garcia, actrice-cinéaste(fr)

Stage actress turned film actress and director, Nicole Garcia has worked with the greatest French directors. Mysterious, singular, elegant, she has become a major figure in French cinema, but in her forties, she wanted to tell her own stories. She took a big risk when she was being offered fewer roles as an actress and became a film director.

André Téchiné: A Passion for Cinema(fr)

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

The Dinosaur and the Baby(fr)

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

Once There Was Everything(en)

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

Michel Gondry: Do It Yourself(fr)

A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.

Alain Delon face au monde(fr)

Anouk Aimée, la beauté du geste(fr)

Conversation avec Claude Lelouch(fr)

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.