Movie: There is a Way

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West Point graduate lieutenant Jeff Knight meets cynicism when taking command of sergeant Michael McNamara's tour veterans platoon in a Vietnamese trench camp. Unlike his predecessor, who hid till the end of his tour, Jeff takes charge, experiences the manual doesn't allow coping with all realities and gets wounded. He returns, now fully respect by men and superiors. Besides the Vietcong, the platoon wrestles with the inscrutable villagers, which the G.I.'s officially protect, but also fear as some collaborate with them, other covertly with the Cong, either way subject to bloody reprisals.

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An Army cameraman is embedded with a reconnaissance patrol and charts their mission across territory controlled by the North Vietnamese.

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Young men endure challenging flight training in the Yokaren, a program feeding new pilots into the Army and Navy. By the time of the filming, the pressure of the war had led the government to shorten the training and expand the age range of the recruits. Yokaren was highly selective, and thus an object of great fascination and desire for boys and young men. In this Navy–sponsored film, Setsuko Hara plays the daughter of a family that often entertains recruits on their days off—a surrogate sister to many trainees. Her fragile younger brother aspires to join the program, but is rejected. With perseverance and much support from Hara and their mother, he surmounts his weaknesses and becomes a flier.

Eastern Condors
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Strategic Air Command
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The Sailor and the Seagull(en)

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As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

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