Buttman's Bend Over Brazilian Babes[1993]

Ableism in São Paulo(pt)

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

Tenderness(pt)

Duda and Bia, two long-term friends, haven't seen each other in 12 years. They both have a disturbing memory of Duda's 15th birthday party. The party ended in heartbreak and alcohol abuse. Now, in their 30s, the two meet again, in the same house where the party took place, to review their lives, facing all the twists and surprises from all the transformations they went through during the years they were apart.

No One Loves Anyone For More Than Two Years(pt)

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Help a brother out(pt)

At a construction site, a delivery man lunches with his bricklayer friends and watches a crossfire between the engineer and the foreman.

Miraculous World : Rio de Janeiro(fr)

The Farm(en)

Calvin and Hanna's relationship comes under threat when their Brazilian holiday resort turns out to be an experimental therapy centre.

The Weeknd: Live at São Paulo(en)

A never-seen-before show in this special one-night only concert event, live from São Paulo.

Barcarola(pt)

Barcarola is a 1908 Brazilian film directed by Júlio Ferrez. It was the first "sound" film in Brazil, that is, with actors dubbing themselves live, behind the screen, based on already recorded images. Premiered on September 1, 1908. It was produced by the company William e Cia. The film was inspired by the operetta "Les contes d'Hoffmann", by composer and cellist Jacques Offenbach. The film's synopsis is unknown, but given the name, which references the song "Barcarolle", it is very likely that it is inspired by the third act of Les contes d'Hoffmann. Like many films from this era, Barcarola is considered a lost film, with only one surviving image, taken during the film's production.

The First Fallen(pt)

1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.

Interstício(pt)

Three friends break into an abandoned house at dawn. What starts as a joke becomes a nightmare when a monstrous creature attacks. As they flee through endless corridors, they discover a terrifying truth: there's no way out.

Nouvelle FAP(pt)

I Remember(pt)

The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.

Cocoon(pt)

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Guns N' Roses: Rock in Rio II - Second Night(es)

Rock In Rio II Festival. This was broadcast on Brazilian TV & radio. Matt & Dizzy's first show with the band. GN'R's first full show in nearly a year and a half and there's over 140,000 people in attendance! Axl says it is his first rehearsal in 2 years. Axl says that 'Patience' was mainly "pained" by Izzy Stradlin. Before 'Estranged,' Axl says "this will be the first time I've sang it in a happy mood." Set List: Pretty Tied Up, Mr. Brownstone, I Was Only Joking [Intro] / Patience, Godfather Theme, Double Talkin' Jive, Welcome To The Jungle, Only Women Bleed [Intro] / Knockin' On Heaven's Door, Drum Solo, You Could Be Mine, It's So Easy, Guitar Solo, Civil War, Dead Horse, Sweet Child O' Mine, Estranged, Paradise City

Dark Horse(en)

Follows Jair Messias Bolsonaro, a man driven by his political career after disappointment with the direction of his country, in the journey to become the 38th president of Brazil.

Complexes(pt)

The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.

Smiling Jockey(ko)

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.

Du Chocolat Pour Sauver l'Amazonie(fr)

The Amazon is the river of superlatives: the longest - 7,025 km, the most powerful, the most indomitable - no dam possible over hundreds of kilometres. Its waters cross the largest tropical forest in the world: the Amazon, “the lungs of the earth”. Going against the current of this gigantism, this documentary is betting on approaching this extraordinary natural space through one of its tiniest productions: the cocoa bean. Scientists, chocolate makers, producers and farmers, many are those who, faced with the deforestation of this unique ecosystem, use this chocolate seed to recreate, on a small scale, human exploitations in harmony with nature. This film tells us about the fight of those who decided to make cocoa the spearhead of environmental defense in Brazil.

Alice no Mundo da Internet(pt)

After a problem with her computer, a tween YouTuber gets stuck in a digital world inhabited by quirky characters, including the evil Queen of Bots.

Missivas(pt)

The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.