Dr. Bhaskar, a Magsaysay Award winner, returns to his native village after forty years accompanied by his doctor son and American daughter-in-law. While watching the ruins of his ancestral manor, Dr. Bhaskar remembers the critical year before his joining medical college. It was not his Gandhian freedom fighter father nor his feudal uncle or romantic elder brother, but his mother who motivated him to be a doctor for the service of the poor. She believed that is the only way to appease the Guardian Spirit of the house. Bhaskar is indebted to another woman, Krishnatai, his brother's lower caste lover, who was enlightened enough to support his mother's dream. Bhaskar is now back home to fulfill the wish of his mother
Bhasakar (Young)
Dr. Bhaskar
The film begins with the sad state of affairs in a village, where politician turned Industries Minister Patil and his brother with the help of local politician Kulkarni (Vaibhav Mangale) make the lives of poor farmers miserable forcing them to sale their lands after the SEZ comes into force. Mahesh Manjrekar, Sanjay Khapre, Siddhu The only opposition comes from an ex-serviceman (Satish Pulekar) who refuses to bow down. He is murdered by Kulkarni and his men but his mentally challenged nephew is the mute witness against Kulkarni. His helpless uncle after witnessing the thumb rule, rushes him to the city in search of an elder nephew (Bharat Jadhav) of the ex-serviceman. Thus begins the revenge
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Director Wang Yixin’s first feature film. The story portraits a photographer obsessed with the image in a film camera, during the time passed this obsession creates a chemical between he and the model of being photographed, the independence of the camera and its ontological structure is being challenged and reversed
Instructions for Polygamy addresses adult comedy from taboos and current themes: Pregnancy as a product of consumption, virtual links as affective delivery, sex toys as a possibility of exploring one's own enjoyment; plus tensions between hedonism, responsibility or individual interaction, marriage. And between these tugs arises the entanglement. Adult comedy entertains, opens debate, proposes refection. However, with some exceptions, it has long been completely absent from Argentine Cinema
A young photographer's home is haunted by it's former residents.
Madrid is the meeting point of eleven stories of people in physical and spiritual transit. Eleven honest and direct stories, young and necessary as their protagonists, that arise from the pedagogical, therapeutic and cinematographic experience of the Inside Cinema School organized by Pedro Sara and Violeta Pagán (The sensitive ages of light) in Matadero Madrid. Eleven new stories that speak of life and hopes, of borders and territories, of growth and survival. An exciting polyphonic story that brings us closer to the here and now.
Creampuff is an intense and darkly romantic short film about Robert and Jack, two men snared between desperation and disgust and clinging to a destructive, dependent relationship as a last stand against despair and pain. As they prepare a birthday celebration for Jack's daughter, tensions escalate and the relationship strains to breaking point. When Jack's ex-wife, Suzanna, arrives without his daughter, Jack is devastated. Creampuff is an exploration of the craving for and power of intimacy and the grace of love beyond affliction.
An anthology film drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.
A Swedish village in the 18th Century: the seemingly idyll is disturbed by a group of soldiers they appear to beware their heavily injured comrade from death. Despite of first hospitality the arrivals notice that the villagers are not only devout, it seems that they hide a dark secret. As the mysterious events become more frequent, the suspicion stays inevitable: some villagers seem to believe in another God.
Two friends get tangled up in debt with the local mafia called The Unit. As they look for ways to pay the debt before The Unit comes to collect, they find out there in deeper waters than they thought.
Corrine Kaczmarek is seeking desperately for the truth in the case of the mysterious disappearance of her sister Vonnie.
When a couple buys a scenic mountain retreat from a deceased woman's estate, her abusive son becomes vengeful about being uprooted from the only home he's ever known. Now, facing eviction, the son holds a grudge against the new owners and their children.
Ajay (Sumanth) completes his degree and gets ready for IPS examination. His father Pandu (Suman) works under local mafia don zakeer Bhai (Nassar). Kasi (Kota Srinivasa Rao) runs a rival gang in the same city opposite zakeer Bhai. Though Pandu behaves like a goon, Ajay concentrates on his studies and reaches to the stage of completing IPS preliminaries. At the same time, he is an expert in martial arts. Samyukta (Kajal Agarwal) is a student of a dance school and she falls in love with Ajay. At this juncture, Hussain (Subbaraju) takes charge as CI and he wants to nab Jakeer Bhai, Pandu and Kasi but could not do so due to their political influence.
Mazie lends her necklace to Nellie, her guest. Nellie is asleep in a hammock when Sam, her sweetheart, arrives in his auto. He awakens Nellie with a kiss. As she starts up she drops the necklace in the grass and their efforts to find it prove futile. Sam promises to buy her one to replace it, thinking it was her own properly. He has her minutely describe it that he may get an exact duplicate. Meanwhile, the governess has found the necklace and given it to its owner, Mazie, who is unknown to Sam. He sees it on Mazie's neck and after a chase insists on purchasing it.
The world of environmental direct action has been a secretive one, until now. With unprecedented access, Emily James spent over a year embedded in activist groups such as Climate Camp and Plane Stupid, documenting their clandestine activities. Torpedoing the tired cliches of the environmental movement, Just Do It introduces you to a powerful cast of mischievous and inspiring characters who put their bodies in the way. They super-glue themselves to bank trading floors, blockade factories and attack coal power stations en-masse all despite the very real threat of arrest. Their adventures will entertain, illuminate and inspire.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Inmates at a women's mental asylum stage a theatrical production of Herman Melville's 'Moby Dick.'
In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.
A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.
Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.
A woman director is making a film about Billie Holiday. She wants to learn from her how to "feel" again, how to love again.
In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets.
Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.
Crystal Lake is about a group of young girls who take over a skate park, forming an all-female force field on the half pipe. There on the reclaimed ramp, with no boys around, they are thriving and visible. This is an anthem for young feminists, which presents female friendship as a means to survive adolescence.
The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
A conflict between a Palestinian artist and an Israeli soldier is told in a surrealist style.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.