Becoming Home(2021)

Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea: 28 October 2015(en)

On 28 October 2015, a migrant boat left the coast of Western Turkey heading to the closest European coast – the Greek island of Lesvos. The shipwreck resulted in the death of at least 43 people, making it the deadliest incident of that period, also known as “the long summer of migration.” One of the survivors, the artist Amel Alzakout, recorded the journey and the shipwreck on a waterproof camera attached to her wrist. This footage – which also forms the basis of her subsequent film Purple Sea – provides a unique situated perspective on this tragic event at the threshold of Europe.

L'Aventure(fr)

In the Briançonnais mountains, in France, men and women on the roads of exile find the courage to cross the passes on foot, risking their lives. Arrived at the end of a long journey, exhausted, they do not know if they could settle down somewhere to start their life over. It is this transitional time that "The Adventure" tells. Ossoul, the Sudanese poet, Mamadou, survivor of an icy night at the Col de l'Échelle, Charlotte, Mother Courage and others are gradually getting back on their feet and settling to embark on a new life. Filmed over three years, "L'Aventure" is a story of resilience, friendships and revealed emotions. The portraits are drawn and deepened until everyone can recognize themselves in the other, put themselves in their place and understand them.

Mr. Dial Has Something to Say(en)

The documentary film "Mr. Dial Has Something to Say" investigates the problem of classism and racism in the elite American art world. By following the dramatic, disturbing story of Thornton Dial, a 79-year-old American-African artist from Alabama's Black Belt.

Wars Don't End(no)

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

Bananaland: Blood, Bullets & Poison(en)

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.

Others' Gold(fr)

The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.

Holy Angels(en)

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

Girls Life Is Trembling(it)

Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.

Flor Brilhante e as Cicatrizes da Pedra(pt)

Political Animals(en)

The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.

Memórias de Izidora(pt)

APA(en)

Children play amidst cycles of thunder and violence.

The Team(es)

An unlikely collaboration between a forensic scientist from Texas and a group of Latin American students changes the course of forensic science and international human rights.

Crazy Money(en)

What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …

A Noite Mais Fria da Cidade(pt)

Fadia’s Tree(en)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

The Overnighters(en)

Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.

The World's Worst Place to Be Gay?(en)

Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.

Motherland Memories(id)

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Crimes of Honour(en)

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.