Massenet: Manon(2007)

Carmen(fr)

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

The Peasants(az)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Mad About English!(en)

The amazing story of 1,000,000,000 people and their MAD MAD MAD rush to learn English! China 's love affair with the English language has reached feverish proportions. With half a million or more visitors descending on Beijing for the Games, can the Chinese pull it off with their newly-acquired English? Mad About English! follows the inspiring and heart-warming efforts of a city preparing to host the world by learning a once-forbidden tongue.

Wait Please(en)

A wonderfully touching tale about love

SUMMER II(en)

In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?

Strange Object(en)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Songs Overheard in the Shadows(en)

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

Kaspar(en)

Kaspar is drowning. Several people who want to save him rush forward. Some of them are filled with good will, others are pumped up with pretentiousness. They are all equally inefficient in this satirical animated film about public spiritedness.

Skin of a Mandarin(et)

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Venganza gaucha(es)

The Translator(ru)

Young father agrees to fulfill three criminal boss's wishes in order to get money for his son's surgery abroad.

The Circus(en)

One of the "Out of the Inkwell" series of silent short films featuring a combination of live action and hand-drawn animation.

Health for the Americas: Hookworm(en)

Non-theatrical government - war short Produced for Coordinator of Inter-American Affairs

13 segundos(en)

Esta película de acción y suspenso, cuenta la dramática historia de cinco bebés por sobrevivir. Conmovedora y angustiosa será su lucha contra los sueños, deseos y ambiciones de aquellos que les niegan el derecho a la vida. Un relato inspirado en hechos reales donde cinco bebés y sus madres ponen al descubierto sus miedos en una apuesta entre la vida y la muerte; una cruel realidad los llevará a descubrir que, a la hora de sobrevivir, cada segundo cuenta. Esta historia se atreve a mostrar con nitidez el dramatismo intrínseco de un mundo sórdido y oscuro...los hechos te obligarán a preguntarte si serías capaz de negociar con la vida. Esta reveladora película nos muestra de forma inédita, imágenes 100% reales de bebes dentro y fuera del útero

It's Gonna Blow!!!: San Diego's Music Underground 1986-1996(en)

'It's Gonna Blow!!!: San Diego's Music Underground 1986-1996' chronicles a period when San Diego was touted as 'the next Seattle'. A motley community of musicians with a do it yourself ethos and an aversion to mainstream culture developed their idiosyncratic sounds in the isolation of San Diego but soon found themselves at the center of bidding wars and expense account lunches. What happened when the outcasts from the sticks became the next big thing?

Özz Nûjen: Dålig stämning(sv)

Stand up with Özz Nujen

Bridezilla(id)

After failing to deliver for a demanding bride, a wedding planner makes a bold business move and throws the wedding of the year — for herself.

Brainland(en)

In 1935, renowned Portuguese neurologist Egas Moniz visits psychiatrist Sobral Cid, trying to convince him to use his patients as subjects for an experimental treatment: frontal leukotomy. The film is a film adaptation of a scene from the play Brainland, which explores three key episodes in the history of 20th-century neuroscience. Each episode addresses dilemmas related to clinical ethics.

Lohengrin(de)

After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.

let me come in(en)

Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Salome(de)

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

Médée(fr)

A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.

Arabella(en)

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

Rigoletto(it)

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

The Metropolitan Opera: Il Trovatore(en)

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

Hänsel und Gretel(de)

Engelbert Humperdinck's beloved musical fairy tale HÄNSEL UND GRETEL is brought to life by Sir Georg Solti and an illustrious cast - all part of a shimmering production that continues to enchant audiences of all ages.

Jenůfa(cs)

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

Janacek: Jenufa(cs)

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

Poulenc's The Human Voice / Bartók's Bluebeard's Castle(en)

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Berg: Wozzeck(en)

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

Alban Berg - Wozzeck(de)

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

Positive(en)

Twenty-two year old Neuroscience student Wendy is in the midst of a transition from pre-med to performance when she is thrown into quarantine with her 17 year-old sister, April. Suddenly sharing a full-sized bed, the sisters struggle to make peace with their newfound living quarters. But, while editing April’s college essays, Wendy discovers her purpose–to help April find hers. Over fourteen days, the girls grow from acquaintances to artistic allies as they realize their unstoppable potential to pursue their passion. Based on a true story, this film was shot in Houston with an entirely Texan cast & crew. Creator Abby Tozer donated $2500 to the Cynthia Woods Mitchell young performing artists' scholarship.

The Metropolitan Opera: Norma(it)

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

The Metropolitan Opera: The Exterminating Angel(en)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.