Massenet: Manon(2007)

Carmen(fr)

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

The Peasants(az)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Mad About English!(en)

The amazing story of 1,000,000,000 people and their MAD MAD MAD rush to learn English! China 's love affair with the English language has reached feverish proportions. With half a million or more visitors descending on Beijing for the Games, can the Chinese pull it off with their newly-acquired English? Mad About English! follows the inspiring and heart-warming efforts of a city preparing to host the world by learning a once-forbidden tongue.

Wait Please(en)

A wonderfully touching tale about love

SUMMER II(en)

In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?

Strange Object(en)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Songs Overheard in the Shadows(en)

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

Kaspar(en)

Kaspar is drowning. Several people who want to save him rush forward. Some of them are filled with good will, others are pumped up with pretentiousness. They are all equally inefficient in this satirical animated film about public spiritedness.

Skin of a Mandarin(et)

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Venganza gaucha(es)

The Translator(ru)

Young father agrees to fulfill three criminal boss's wishes in order to get money for his son's surgery abroad.

The Circus(en)

One of the "Out of the Inkwell" series of silent short films featuring a combination of live action and hand-drawn animation.

Health for the Americas: Hookworm(en)

Non-theatrical government - war short Produced for Coordinator of Inter-American Affairs

13 segundos(en)

Esta película de acción y suspenso, cuenta la dramática historia de cinco bebés por sobrevivir. Conmovedora y angustiosa será su lucha contra los sueños, deseos y ambiciones de aquellos que les niegan el derecho a la vida. Un relato inspirado en hechos reales donde cinco bebés y sus madres ponen al descubierto sus miedos en una apuesta entre la vida y la muerte; una cruel realidad los llevará a descubrir que, a la hora de sobrevivir, cada segundo cuenta. Esta historia se atreve a mostrar con nitidez el dramatismo intrínseco de un mundo sórdido y oscuro...los hechos te obligarán a preguntarte si serías capaz de negociar con la vida. Esta reveladora película nos muestra de forma inédita, imágenes 100% reales de bebes dentro y fuera del útero

It's Gonna Blow!!!: San Diego's Music Underground 1986-1996(en)

'It's Gonna Blow!!!: San Diego's Music Underground 1986-1996' chronicles a period when San Diego was touted as 'the next Seattle'. A motley community of musicians with a do it yourself ethos and an aversion to mainstream culture developed their idiosyncratic sounds in the isolation of San Diego but soon found themselves at the center of bidding wars and expense account lunches. What happened when the outcasts from the sticks became the next big thing?

Özz Nûjen: Dålig stämning(sv)

Stand up with Özz Nujen

Bridezilla(id)

After failing to deliver for a demanding bride, a wedding planner makes a bold business move and throws the wedding of the year — for herself.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Macbeth(en)

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.

Gianni Schicchi(en)

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Wagner: Die Walküre(de)

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.

Janáček: The Cunning Little Vixen(cs)

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Mussorgsky: Khovanshchina(ru)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Shostakovich: Lady Macbeth of Mtsensk(ru)

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

Arabella(de)

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

The Great Waltz(en)

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Samson Et Dalila(en)

Pious restraint comes face to face with sensuous hedonism in Camille Saint-Saëns’s grand-opera retelling of the Bible story of Samson and Delilah. Multi-Olivier Award winning director Richard Jones returns to The Royal Opera to stage this spectacular fin-de-siècle masterpiece, not performed at Covent Garden since 2004. Elina Garanca stars as the Philistine Dalila, SeokJong Baek as the inspiring Jewish hero Samson and Antonio Pappano conducts the full forces of the Orchestra of the Royal Opera House. With superb singing in solos and duets of great intimacy and fervour, gorgeous music with thrilling orchestral interludes, and splendid choral numbers for the Royal Opera Chorus – this is a performance to remember.

Dennis Cleveland(en)

A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.

La Finta Giardiniera(it)

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

Tristan und Isolde(de)

Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.

Giacomo Puccini: Turandot(it)

Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.

La Bohème(fr)

Puccini: Turandot (San Francisco Opera)(it)

Donald Runnicles directs the San Francisco Opera in this lavish production of Giacomo Puccini’s final masterpiece, which was left unfinished upon his death and was later completed by Franco Alfano. Declaring himself a suitor of the beautiful Princess Turandot (Eva Marton), the son of a conquered king (Michael Sylvester) must correctly answer three troublesome riddles. According to tradition, if he fails, it will mean his death.

Bastien a Bastienna(cs)

Prodaná nevěsta(cs)

Marcos Morau : La Belle au bois dormant(fr)