While the rest of the Hebrews bewail their fate, Samson alone trusts in God's promise of liberty. Abimelech, the Philistine satrap of Gaza, enters to mock the Hebrews' God, proclaiming the superiority of Dagon, and the Hebrews are afraid of him. But calls them to show some defiance, so Abimelech attacks Samson with his sword. Samson seizes the sword and strikes him dead. The Hebrews scatter and the High Priest of Dagon appears, cursing the Hebrews. When a messenger reports that the Hebrews are ravaging the harvest, the High Priest forms a plan to use Delilah to overcome Samson's strength. Delilah's beauty is such that Samson can't resist her for long. She begs to know the secret of his supernatural strength, but he refuses, though he says he loves her. Delilah betrays Samson by having some Philistine soldiers seize him and throw him into a prison in Gaza, where his hair is cut off.
Grand-Prêtre de Dagon
Abimélech
Premier Philistin
Second Philistin
Conductor
Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.
Following a meltdown that leads to a suspension, professional golfer Zoe Papadopoulos travels to her grandparents' village in Greece to escape the harsh spotlight of the international
Three sisters who believe life is going to be easy, now that their parents are back together, until one sister falls in love with another's fiancé, and the youngest sister plays matchmaker.
Two handcuffed criminals Laddoo (Mast Ali) and Ajju (Aziz Nasser) make a run for it from under the nose of inspector RK (RK). They unwittingly land in Shaitanpur, where Tillu Terror (Adnan Sajid) claims he has a hold. Tillu wants to make use of the pair of smart-aleck fugitives in order to find a treasure he's been hankering after. Meanwhile, there's a bunch of other goons that the Tillu Terror camp has to worry about.
The remaining forces of the Solnoid and the Paranoid races now head toward Sigma Narse, a forgotten star system with a dying red giant for their final confrontation. The crew of five Solnoids who survived the battle at the ninth star system are sent to meet Capt. Nebulart, head of Intelligence, for what appears to be the last hope for both races.
Prince Valona has a bit of trouble with his girlfriend Eveline (Olivia Fried), so he's quite open for the attraction of a young lady he meets by chance (Valerie Boothby). He doesn't know, however, that this lady is a detective who follows the con-man Carlo Moreno, and as the prince and the criminal look alike, she mistakes the prince for the criminal. The real Moreno isn't far away, though, and he first deprives the prince of his train ticket and then also takes on his identity in order to steal a pearl necklace from Eveline.
When Sandokan learns he is the rightful heir to the throne of Malaysia, he immediately sets off to claim his land back.
Filmed over the course of a year in an "upstairs-downstairs" fashion, this fascinating program provides a behind-the-scenes look at life inside Windsor Castle -- the world's largest inhabited castle -- via unprecedented camera access. Highlights include a visit from French President Jacques Chirac; the Queen's arrival for the Order of the Garter ceremony; and the high-profile celebration of Prince Charles and Camilla Parker Bowles's nuptials.
At a party in the 40s, one of the attendees is mysteriously killed. Now, the detective must discover who killed the attendee.
A police officer is forced to work for two warring crime syndicates while under an internal investigation.
Watch as Russell Hawker and his wife Sissy battle Patricia Van de Meer and her 'citified' minions over the fate of the world....and their ten year marriage! Can Russell, Harlan, and Jamon withstand the perils of Big City....and a really stinky thumb? Or will they succumb to the dark forces behind Cranium Concepts Global Corporation and it's scheme to 'citify' the world? To answer these questions and discover for yourself the importance of being Russell....you must watch THE IMPORTANCE OF BEING RUSSELL!
With Makino's defeat, peace and calm has returned to Copper Canyon. That is until Miles Dread returns with a mysterious monster named Morphos, whose is determined to take down Max at all costs.
Passing through Paris, Roman, a young archaeologist, gets back to Adam, his unruly younger brother.
The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...
Agnes Ayres was apparently a star of feature film who is top billed in this one-off Hal Roach short. She does well as the woman at the centre of the story, but it's pretty plain that it's actually the comic mind and performing talents of Stan Laurel, who plays her butler, that make this two-reel short shine.
The bizarre story behind the man accused of assassinating John F. Kennedy and what might have happened had he been brought to trial.
A documentary feature about James Brown and his influence on today's musicans, featuring Kurtis Blow, the Pharcyde, Joss Stone, James Brown, Marva Whitney, Bobby Bird and many others.
Conspiracies and regattas form the backdrop to the fortunes of a young singer. Harassed by a heartless spy, she sacrifices everything to save the man she loves and the woman he prefers over her. Ponchielli based his flamboyant opera on Victor Hugo’s play Angelo, tyrant of Padua. An expert on Hugo, director Olivier Py offers us a dream-like version of this dark Romantic tragedy, presided over by sex and death. Paolo Carignani conducts an exceptional cast in the six demanding main roles.
Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have also made Tosca one of a handful of iconic works that seem to represent opera in the public imagination.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The homonymous opera is a glimpse into the life of Lili Elbe and her wife Gerda Wegener (also a famous painter) through Lili's transition at a time when such surgery was still completely uncharted territory.
At the Grand Théâtre de Bordeaux, Raphaël Pichon conducts a new production of Rameau's opera Dardanus, with the ensemble Pygmalion, in a staging by Michel Fau and a choreography by Christopher Williams.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
There's an uncompromising clarity to Blu-ray audio and video that really does bring the splendour of grand opera right into the living room. So it's all the more frustrating to get a compromised production as the final product. Jules Massenet's 1894 tragedy about a sex goddess humbled by an insistent Cenobite monk isn't produced very often, because of a demanding lead role and some difficult staging issues. But the music is gorgeous from beginning to end. When you have a great diva at centre stage, the three acts go by in a flash.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.