The story of Dwight Core, Jr. and his family, following up the events of the home documentary "Think of Me First as a Person", shot decades ago by his father Dwight Core, Sr. and portraying the love a boy with Down syndrome shares with his four sisters, but also a heartache common to the era's disabled: leaving home for an institution. The little boy, Dwight Core, Jr., grew into a tall, 48-year-old man who enjoyed coloring and watching television in the living room of the Ocean View section of Norfolk, Virginia home he shared with one of his sisters, Cindy Klingler. In 2007, filmmaker Roger M. Richards brought the story of Dwight Core, Jr. to the present, documenting him as a grown man and the continuing love and devotion of his sisters to their brother.
The story of Dwight Core, Jr. and his family, following up the events of the home documentary "Think of Me First as a Person", shot decades ago by his father Dwight Core, Sr. and portraying the love a boy with Down syndrome shares with his four sisters, but also a heartache common to the era's disabled: leaving home for an institution. The little boy, Dwight Core, Jr., grew into a tall, 48-year-old man who enjoyed coloring and watching television in the living room of the Ocean View section of Norfolk, Virginia home he shared with one of his sisters, Cindy Klingler. In 2007, filmmaker Roger M. Richards brought the story of Dwight Core, Jr. to the present, documenting him as a grown man and the continuing love and devotion of his sisters to their brother.
2007-02-13
8
In 2002, Jason Padgett was the victim of a vicious beating outside a karaoke bar in Tacoma, Washington. Upon regaining consciousness, Padgett’s sight was forever altered by a condition called acquired savant syndrome. The brain trauma opened his eyes to an entirely new world—one filled with patterns and strobes, like a stop-motion film. This is a fascinating story into the hidden power of the mind and one man’s inspiring tale of courage and personal triumph.
During the investigation of the Agra treasure case, Holmes and Watson recall another case that Holmes had investigated earlier. The King of Bohemia comes to Holmes under a false name, who behaves somewhat arrogantly at first, and then plaintively asks for help.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Follows a handful of Russian characters in Florida as they roam through an ominous nighttime milieu and eventually drift into the fog on a boat covered in neon lights.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Lazarus is a Cuban appeal that makes a living in Madrid. When his girlfriend Dolores travels from Cuba to Spain to live with him, he is in prison for kidnapping and attempted rape. Dolores tries to survive with a broken heart, but his sympathy and sensuality will make adjusting to life in Madrid and try to exceed the Lazarus drug addiction.
Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.
The highly anticipated sequel to the world renown Beaver Wars
The remarkable 83-year-old Helga Schubert lives in the remote landscape between Schwerin and Wismar. Her days are filled with the loving care of her sick 95-year-old husband, Johannes Helm, once a professor of psychology and passionate painter. But amidst this rural tranquility, Helga is anything but idle. Every day she dedicates herself to her passion, writing.
In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.
Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
In-between essay and fiction, La dernière énigme established Ossang's formal territory: a contemporary mythology. Inspired by the book On Terrorism and the State by Gianfranco Sanguinetti, it evokes visual echoes of political events, where a generation forfeits all revolutionary aspirations due to state terrorism. Shot using two cans of Kodak XX 16mm film. - IFFR
When Red Hawk Dugan and his men attack a small wagon train, Colonel Merriwell is killed and the young girl Isobel taken and raised thinking Dugan is her father. Fifteen years later the Colonel's son Jack arrives looking for Dugan whom he learned killed his father. As he hunts for Dugan he meets and falls in love with Isobel only to then learn Dugan is her father.
Amidst the pandemic, a woman embarks on a treacherous journey through the wilderness to reach her brother while grappling with her mental state.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
An observational mini-documentary following the home lives of Eve and Barry when Barry's work takes him offshore.
A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.
Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
Yannis is 22 years old. The restless soul, the heart that beats for music. In Marseille, surrounded by a group of passionate friends, his goal is that of thousands of others: to make a living from his art. We delve into his daily life, the creative process of his first EP and an encounter with a tumultuous youth. How to learn to live in uncertainty? What does it mean to want to be an artist? And above all, how can you be happy when you're a blue boy?
Interviews and discussions about children in naturism.
An intimate portrait filmed across 10 years of Mary, a charismatic and complex woman, born and raised in rural Kansas, USA. She runs a curiosity shop out of her front yard, builds giant furniture and dreams of becoming an artist one day.
Documentarist Jane Wong films her mother and two Chinese friends as they discuss their lives and experiences as émigrés living in Liverpool.
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men's Chorus embarks on a tour of the American Deep South.
When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.
At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.